Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 70
Seite 50
... called the " general background " in linguistics of the filmmakers of the twenties . In his critique , Metz makes a distinction of capital importance between the so - called " cine- language system " ( the utopian fruit of an ...
... called the " general background " in linguistics of the filmmakers of the twenties . In his critique , Metz makes a distinction of capital importance between the so - called " cine- language system " ( the utopian fruit of an ...
Seite 62
... called for the shaping of a " new spectator . 27 But much more than this ideological determination , there is another determination , much more specific to Eisenstein ( even though it too is largely marked by the period ) , which gives ...
... called for the shaping of a " new spectator . 27 But much more than this ideological determination , there is another determination , much more specific to Eisenstein ( even though it too is largely marked by the period ) , which gives ...
Seite 4
... called fable , to be indispensable . Although Brechtian film practice was cut short by the political developments in the thirties , his theoretical influence on the beginnings of New German Cinema was crucial . The most obvious examples ...
... called fable , to be indispensable . Although Brechtian film practice was cut short by the political developments in the thirties , his theoretical influence on the beginnings of New German Cinema was crucial . The most obvious examples ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing