Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 48
Seite 39
... Sander film is utterly different , both in its effect upon the film text and upon the spectator . The most reductive explanation , and a persuasive one , focuses on the difference between Sander's utilizaton of a woman narrator to speak ...
... Sander film is utterly different , both in its effect upon the film text and upon the spectator . The most reductive explanation , and a persuasive one , focuses on the difference between Sander's utilizaton of a woman narrator to speak ...
Seite 41
... Sander and the other edi- tors of frauen und film ( then newly formed ) attacked the film , they par- ticularly cited this stupidity which had been foisted upon the character . Kluge was prone to justify the choice not to make a ...
... Sander and the other edi- tors of frauen und film ( then newly formed ) attacked the film , they par- ticularly cited this stupidity which had been foisted upon the character . Kluge was prone to justify the choice not to make a ...
Seite 112
... Sander is paradoxically representing intact a certain Imaginary — that of the introspective , self - remembering subject , which is quite distinct from the Imaginary of classical narrative ( the subject unified in the illusion of ...
... Sander is paradoxically representing intact a certain Imaginary — that of the introspective , self - remembering subject , which is quite distinct from the Imaginary of classical narrative ( the subject unified in the illusion of ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing