Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 26
Seite 63
... Marxism- Leninism . All the texts of the first Eisenstein are there to bear witness to this . It is in reference to the class analysis of society , carried out by Marxist science , that the knowledge of the public aimed at ( the real ...
... Marxism- Leninism . All the texts of the first Eisenstein are there to bear witness to this . It is in reference to the class analysis of society , carried out by Marxist science , that the knowledge of the public aimed at ( the real ...
Seite 84
... Marxism that the particular First - World finds most sympathetic.4 One danger for any First - World critic must be the use of naive rhetoric which ultimately displaces the problems of cultural colo- nialism into a series of ...
... Marxism that the particular First - World finds most sympathetic.4 One danger for any First - World critic must be the use of naive rhetoric which ultimately displaces the problems of cultural colo- nialism into a series of ...
Seite 100
... Marxism and Third World lib- eration movements , of Marxism and Feminism , of ' 60s optimism and ' 80s disillusionment . Unlike films where the diegesis disavows or seeks to contain the diversity of referential material by construct ...
... Marxism and Third World lib- eration movements , of Marxism and Feminism , of ' 60s optimism and ' 80s disillusionment . Unlike films where the diegesis disavows or seeks to contain the diversity of referential material by construct ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing