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Books Bücher 1 - 10 von 76 in How do we distinguish the oak from the beech, the horse from the ox, but by the bounding...
" How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflexions and movements? "
The Lives of the Most Eminent British Painters and Sculptors - Seite 144
von Allan Cunningham - 1859
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The Family Library (Harper)., Band 18

1846
...line. How do we distinjnish the oak from the beech; the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from...bounding line and its infinite inflexions and movements 1 Leave out this line and you leave out life itself: all is chaos again, and the line of the Almighty...
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Life of William Blake: "Pictor Ignotus".

Alexander Gilchrist - 1863
...How do wo distinguish the oak from the beech, the horse, from the ox, but by the bounding outline? How do we distinguish one face or countenance from...bounding line, and its infinite inflexions and movements 1 What is it that builds a house and plants a garden, but the definite and determinate ! What is it...
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The Poems: With Specimens of the Prose Writings, of William Blake

William Blake - 1885 - 282 Seiten
...branches. How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from...another, but by the bounding line and its infinite inflections and movements? What is it that builds a house and plants a garden but the definite and...
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Great English Painters

Allan Cunningham - 1886 - 311 Seiten
...How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline ? How do we distinguish one face or countenance from...another, but by the bounding line and its infinite inflections and movements ? Leave out this line, and you leave out life itself : all is chaos again,...
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The Poems of William Blake

William Blake - 1893 - 251 Seiten
...How do we distinguish the oak from the beech, ihc horse from the ox, but by the bounding outline ? How do we distinguish one face or countenance from...another, but by the bounding line and its infinite inflections and movement* T What is it that builds a house and plants a garden but the definite and...
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The Real Blake: A Portrait Biography

Edwin John Ellis - 1907 - 443 Seiten
...from knavery but the hard and wiry line of rectitude and certainty in the actions and intention:*? Leave out this line, and you leave out life itself....the line of the Almighty must be drawn out upon it again before man or beast can exist. Talk no more then of Correggio or Rembrandt, or any of those plagiaries...
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The real Blake: a portrait biography

Edwin John Ellis - 1907 - 443 Seiten
...from knavery but the hard and wiry line of rectitude and certainty in the actions and intentions ? Leave out this line, and you leave out life itself....the line of the Almighty must be drawn out upon it again before man or beast can exist. Talk no more then of Correggio or Rembrandt, or any of those plagiaries...
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Studies in Seven Arts

Arthur Symons - 1907 - 394 Seiten
...out this line (the bounding line, Blake calls it, the hard and wiry line of rectitude and certainty) and you leave out life itself; all is chaos again, and the line of the Almighty must be drawn oat upon it before man or beast can exist.' Strauss, it seems to me, lacks this rectitude and certainty...
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The real Blake: a portrait biography

Edwin John Ellis - 1907 - 443 Seiten
...branches. How do we distinguish the oak from the beech, the horse from the ox but by the bounding outline ? How do we distinguish one face or countenance from another but by the bounding line and its infinite inflexion and movements ? What is it that builds a house and plants a garden but the definite and determinate...
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The Real Blake: A Portrait Biography

Edwin John Ellis - 1907 - 443 Seiten
...branches. How do we distinguish the oak from the beech, the horse from the ox but by the bounding outline ? How do we distinguish one face or countenance from another but by the bounding line and its infinite inflexion and movements ? What is it that builds a house and plants a garden but the definite and determinate...
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