Entertainment, Propaganda, Education: Regional Theatre in Germany and Britain Between 1918 and 1945

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Univ of Hertfordshire Press, 2007 - 271 Seiten
An intriguing comparison of regional theater in England and Germany during World War II, this study finds that the British government actively encouraged local theater companies to produce patriotic fare--partly because they thought the Nazis were doing the same thing--while the Nazis actually paid little attention to what was going on in their theaters, and German repertoires remained largely unchanged from the days of the Weimar Republic. Theaters in Yorkshire and Westphalia are compared in terms of their founding and histories; the tastes of their audiences; government subsidies received; the extent of outside control, influence, and censorship; and their sponsorship of educational programs or war propaganda.
 

Inhalt

Introduction
1
History of theatre in Yorkshire 26
25
History of Theatre in Westphalia
77
Theatre in the Weimar Republic
85
Theatre Repertoires in Yorkshire
138
Theatre Repertoires in Westphalia
180
Urheberrecht

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Autoren-Profil (2007)

Anselm Heinrich is a lecturer in theater studies at the University of Glasgow and a specialist in comparative British and German drama.

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