Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth-century German LiteratureThis book analyzes wounded human bodies in early nineteenth-century German literature and traces their connection to changing philosophical models of the self. It argues that literary representations and metaphors of violence against the body not only offer powerful physical referents for a concept of self, but that they also define violence as an integral component of the self. |
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Seite 128
Kleist thus associates the image on the pitcher with lawmaking violence , both in
the establishment of Philip II ' s power over the Netherlands , as well as in the
violent overthrow of Spanish rule and the establishment of a new political
autonomy ...
Kleist thus associates the image on the pitcher with lawmaking violence , both in
the establishment of Philip II ' s power over the Netherlands , as well as in the
violent overthrow of Spanish rule and the establishment of a new political
autonomy ...
Seite 130
In other words , the pitcher represents history not only on the level of visual
metaphor , by providing an image of historical change , but also on the level of
metonymy , as part of a greater political history . Pursuing this metonymic
relationship to ...
In other words , the pitcher represents history not only on the level of visual
metaphor , by providing an image of historical change , but also on the level of
metonymy , as part of a greater political history . Pursuing this metonymic
relationship to ...
Seite 220
Political revolution does not play an overt role in The Broken Pitcher , but there
are hints of revolution throughout the drama , including Adam ' s constant
attempts to subvert the legal system and Eve ' s reluctance to trust Walter ' s
authority .
Political revolution does not play an overt role in The Broken Pitcher , but there
are hints of revolution throughout the drama , including Adam ' s constant
attempts to subvert the legal system and Eve ' s reluctance to trust Walter ' s
authority .
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Inhalt
Acknowledgments | 9 |
We think of nothing excellent without | 36 |
To find a home only in the deep | 78 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth ... John B. Lyon Eingeschränkte Leseprobe - 2006 |
Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth ... John B. Lyon Keine Leseprobe verfügbar - 2006 |
Häufige Begriffe und Wortgruppen
Adam aesthetic appear asserts associated attempts beauty become body Brentano Büchner century claim complete concept consciousness constructed create culture Danton death defines describes desire disruption drama earlier early element ends example existence experience external forces fragmented function Georg German gives Godwi hand healing historical Hölderlin human Hyperion ideal identity implies indicates individual Kleist lack language letter loss marks meaning mediation metaphor nature nicht notion novel object pain passage philosophy physical pitcher political portrays position possible Press reality reason recognizes reference reflection relation relationship represents result rhetoric romantic rupture sense separation significant similar social speak specifically split statue structure suggests symbolic system of power thought tion Translation trauma turn ultimately University Verlag violence Walter Werke wholeness wound wounded body writing
Bibliografische Informationen
| Titel | Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth-century German Literature |
| Autor/in | John B. Lyon |
| Verlag | Bucknell University Press, 2006 |
| Original von | University of Michigan |
| Digitalisiert | 30. Mai 2008 |
| ISBN | 083875631X, 9780838756317 |
| Länge | 280 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |