Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth-century German LiteratureThis book analyzes wounded human bodies in early nineteenth-century German literature and traces their connection to changing philosophical models of the self. It argues that literary representations and metaphors of violence against the body not only offer powerful physical referents for a concept of self, but that they also define violence as an integral component of the self. |
Im Buch
Ergebnisse 1-3 von 20
Seite 20
[ Everything that stands as a mediator between our eye and a removed object ,
and brings the distant object closer , but simultaneously gives it something of its
own , is romantic . ] 25 The wound is like Brentano ' s notion of the romantic in
that it ...
[ Everything that stands as a mediator between our eye and a removed object ,
and brings the distant object closer , but simultaneously gives it something of its
own , is romantic . ] 25 The wound is like Brentano ' s notion of the romantic in
that it ...
Seite 31
Yet he also subverts the Cartesian mind / body dualism that permeated Kant ' s
system and , in contrast , gives the body a significant place in his own system .
For Schopenhauer , the body is not only an object of perception , but also an ...
Yet he also subverts the Cartesian mind / body dualism that permeated Kant ' s
system and , in contrast , gives the body a significant place in his own system .
For Schopenhauer , the body is not only an object of perception , but also an ...
Seite 102
The wound gives the statue its unity , yet this wound does not exist in the world of
the novel . As the word like ( gleichsam ] indicates , it is a simile , a rhetorical use
of the wound . As Marlies Janz points out , “ the statue of Violetta does not have ...
The wound gives the statue its unity , yet this wound does not exist in the world of
the novel . As the word like ( gleichsam ] indicates , it is a simile , a rhetorical use
of the wound . As Marlies Janz points out , “ the statue of Violetta does not have ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Acknowledgments | 9 |
We think of nothing excellent without | 36 |
To find a home only in the deep | 78 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth ... John B. Lyon Eingeschränkte Leseprobe - 2006 |
Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth ... John B. Lyon Keine Leseprobe verfügbar - 2006 |
Häufige Begriffe und Wortgruppen
Adam aesthetic appear asserts associated attempts beauty become body Brentano Büchner century claim complete concept consciousness constructed create culture Danton death defines describes desire disruption drama earlier early element ends example existence experience external forces fragmented function Georg German gives Godwi hand healing historical Hölderlin human Hyperion ideal identity implies indicates individual Kleist lack language letter loss marks meaning mediation metaphor nature nicht notion novel object pain passage philosophy physical pitcher political portrays position possible Press reality reason recognizes reference reflection relation relationship represents result rhetoric romantic rupture sense separation significant similar social speak specifically split statue structure suggests symbolic system of power thought tion Translation trauma turn ultimately University Verlag violence Walter Werke wholeness wound wounded body writing
Bibliografische Informationen
| Titel | Crafting Flesh, Crafting the Self: Violence and Identity in Early Nineteenth-century German Literature |
| Autor/in | John B. Lyon |
| Verlag | Bucknell University Press, 2006 |
| Original von | University of Michigan |
| Digitalisiert | 30. Mai 2008 |
| ISBN | 083875631X, 9780838756317 |
| Länge | 280 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |