The Works of Alexander Pope, Esq, Band 5 |
Im Buch
Ergebnisse 1-5 von 51
Seite 8
If so , the fame of bad authors would be much better consulted than that of all the
good ones in the world ; and not one of an hundred had ever been called by his
right name . They mistake the whole matter : It is not charity to encourage them in
...
If so , the fame of bad authors would be much better consulted than that of all the
good ones in the world ; and not one of an hundred had ever been called by his
right name . They mistake the whole matter : It is not charity to encourage them in
...
Seite 9
... are equally subsisting , for his works and theirs are the very fame that they
were . . , One , therefore , of their assertions I believe may be true , “ That he has a
contempt for their writings . ” And there is another , which would probably be
sooner ...
... are equally subsisting , for his works and theirs are the very fame that they
were . . , One , therefore , of their assertions I believe may be true , “ That he has a
contempt for their writings . ” And there is another , which would probably be
sooner ...
Seite 11
cannot help remarking the resemblance betwixt him and our author , in qualities ,
fame , and fortune ; in the distinctions shewn them by their superiors , in the
general esteem of their equals , and in their extended reputation amongst
foreigners ...
cannot help remarking the resemblance betwixt him and our author , in qualities ,
fame , and fortune ; in the distinctions shewn them by their superiors , in the
general esteem of their equals , and in their extended reputation amongst
foreigners ...
Seite 22
Reflections critical and fatirical on a Rhapsody , called an Essay on Criticism .
Printed for Bernard Lintot , octavo . p Essay on Criticism in prose , octavo , 1728 ,
by the author of The Critical History of England . He is followed ( as in fame , fo in
...
Reflections critical and fatirical on a Rhapsody , called an Essay on Criticism .
Printed for Bernard Lintot , octavo . p Essay on Criticism in prose , octavo , 1728 ,
by the author of The Critical History of England . He is followed ( as in fame , fo in
...
Seite 23
He is followed ( as in fame , fo in judgment ) by the modest and simple - minded
Mr . LEONARD WELSTEAD ; Who , out of great respect to our poet not naming
him , doth yet glance at his Effay , together with the Duke of Buckingham ' s , and
...
He is followed ( as in fame , fo in judgment ) by the modest and simple - minded
Mr . LEONARD WELSTEAD ; Who , out of great respect to our poet not naming
him , doth yet glance at his Effay , together with the Duke of Buckingham ' s , and
...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aeneid againſt alſo ancient appear called cauſe character Cibber Court Critics Curl Dennis divine dull Dulneſs Dunciad edition Epigram equally Eſſay eyes fall fame fate fire firſt former gave genius give Goddeſs hand hath head Hero himſelf Homer honour IMITATIONS John Journal King laſt learned Letter light lines living Lord manner means mentioned moſt muſt nature never notes o'er once opinion paſſage perſon piece play poem Poet Poetry Pope praiſe preſent printed publiſhed Queen reader reaſon REMARKS Richard Blackmore riſe round ſaid ſame ſatire ſay ſecond ſee ſeems ſet ſhall ſhe ſhould ſince ſome ſons ſtill ſubject ſuch thee theſe things thoſe thou thought tranſlation true uſed verſe Virg Virgil virtue whole whoſe writ writing written
Beliebte Passagen
Seite 98 - Round him much embryo, much abortion lay, Much future ode, and abdicated play...
Seite 290 - Night primaeval and of Chaos old ! Before her, Fancy's gilded clouds decay, And all its varying rainbows die away. Wit shoots in vain its momentary fires, The meteor drops, and in a flash expires. As one by one, at dread Medea's strain, The sick'ning stars fade off th' ethereal plain ; As Argus
Seite 218 - This piece was received with greater applause than was ever known. Besides being acted in London sixtythree days without interruption, and renewed the next season with equal applause, it spread into all the great towns of England; was played in many places to the thirtieth and fortieth time ; at Bath and Bristol fifty, &c.
Seite 247 - When Reason doubtful, like the Samian letter, Points him two ways, the narrower is the better. Plac'd at the door of Learning, youth to guide, We never suffer it to stand too wide. To ask, to guess, to know, as they commence...
Seite 375 - Till one wide conflagration swallows all. 240 Thence a new world, to nature's laws unknown, Breaks out refulgent, with a heaven its own : Another Cynthia her new journey runs, And other planets circle other suns. The forests dance, the rivers upward rise, Whales sport in woods, and dolphins in the skies ; And last, to give the whole creation grace, Lo ! one vast egg produces human race.
Seite 24 - Poetry, he will find but few precepts in it which he may not meet with in Aristotle, and which were not commonly known by all the poets of the Augustan age. His way of expressing and applying them, not his invention of them, is what we are chiefly to admire.
Seite 341 - How Tragedy and Comedy embrace; How Farce and Epic get a jumbled race; How Time himself stands still at her command, Realms shift their place, and Ocean turns to land.
Seite 231 - The moon-struck prophet felt the madding hour : Then rose the seed of Chaos, and of Night, To blot out order, and extinguish light, Of dull and venal a new world to mould, And bring Saturnian days of lead and gold.
Seite 233 - Too mad for mere material chains to bind : Now to pure space lifts her ecstatic stare, Now running round the circle, finds it square.
Seite 294 - Light dies before thy uncreating word : Thy hand, great Anarch, lets the curtain fall, And universal darkness buries all.