:

man, stored with genius, wit, learning, and a hundred good natural gifts see how he has wrecked them, by paltering with his honesty, and forgetting to respect himself. Wilt thou remember thyself, O Pen? thou art conceited enough! Wilt thou sell thy honour for a bottle? No, by Heaven's grace, we will be honest, whatever befalls, and our mouths shall only speak the truth when they open."

A punishment, or, at least, a trial, was in store for Mr. Pen. In the very next number of the Pall Mall Gazette, Warrington read out, with roars of laughter, an article which by no means amused Arthur Pendennis, who was himself at work with a criticism for the next week's number of the same journal; and in which the "Spring Annual" was ferociously maltreated by some unknown writer. The person of all most cruelly mauled was Pen himself. His verses had not appeared with his own name in the "Spring Annual," but under an assumed signature. As he had refused to review the book, Shandon had handed it over to Mr. Bludyer, with directions to that author to dispose of it. And he had done so effectually. Mr. Bludyer, who was a man of very considerable talent, and of a race which, I believe, is quite extinct in the press of our time, had a certain notoriety in his profession, and reputation for savage humour. He smashed and trampled down the poor spring flowers with no more mercy than a bull would have on a parterre; and having cut up the volume to his heart's content, went and sold it at a bookstall, and purchased a pint of brandy with the proceeds of the volume.

CHAPTER XXXVI

WHERE PEN APPEARS IN TOWN AND COUNTRY

ET us be allowed to pass over a few months of the history of

L Mr. Arthur Pendennis's lifetime, during the which, many

events may have occurred which were more interesting and exciting to himself, than they would be likely to prove to the reader of his present memoirs. We left him, in the last chapter, regularly entered upon his business as a professional writer, or literary hack, as Mr. Warrington chooses to style himself and his friend; and we know how the life of any hack, legal or literary, in a curacy, or in a marching regiment, or at a merchant's desk, is full of routine, and tedious of description. One day's labour resembles another much too closely. A literary man has often to work for his bread against time, or against his will, or in spite of his health, or of his indolence, or of his repugnance to the subject on which he is called to exert himself, just like any other daily toiler. When you want to make money by Pegasus (as he must, perhaps, who has no other saleable property), farewell poetry and aërial flights; Pegasus only rises now like Mr. Green's balloon, at periods advertised beforehand, and when the spectators' money has been paid. Pegasus trots in harness, over the stony pavement, and pulls a cart or a cab behind him. Often Pegasus does his work with panting sides and trembling knees, and not seldom gets a cut of the whip from his driver.

Do not let us, however, be too prodigal of our pity upon Pegasus. There is no reason why this animal should be exempt from labour, or illness, or decay, any more than any of the other creatures of God's world. If he gets the whip, Pegasus very often deserves it, and I for one am quite ready to protest with my friend, George Warrington, against the doctrine which some poetical sympathisers are inclined to put forward, viz., that men of letters, and what is called genius, are to be exempt from the prose duties of this daily, bread-wanting, tax-paying life, and are not to be made to work and pay like their neighbours.

Well, then, the Pall Mall Gazette being duly established, and Arthur Pendennis's merits recognised as a flippant, witty, and amusing critic, he worked away hard every week, preparing reviews

of such works as came into his department, and writing his reviews with flippancy certainly, but with honesty, and to the best of his power. It might be that a historian of threescore, who had spent a quarter of a century in composing a work of which our young gentleman disposed in the course of a couple of days' reading at the British Museum, was not altogether fairly treated by such a facile critic; or that a poet, who had been elaborating sublime sonnets and odes until he thought them fit for the public and for fame, was annoyed by two or three dozen pert lines in Mr. Pen's review, in which the poet's claims were settled by the critic, as if the latter were my lord on the bench, and the author a miserable little suitor trembling before him. The actors at the theatres complained of him woefully, too, and very likely he was too hard upon them. But there was not much harm done after all. It is different now, as we know ; but there were so few great historians, or great poets, or great actors, in Pen's time, that scarce any at all came up for judgment before his critical desk. Those who got a little whipping, got what in the main was good for them; not that the judge was any better or wiser than the persons whom he sentenced, or indeed ever fancied himself so. Pen had a strong sense of humour and justice, and had not therefore an overweening respect for his own works; besides, he had his friend Warrington at his elbow-a terrible critic if the young man was disposed to be conceited, and more savage over Pen than ever he was to those whom he tried at his literary assize.

By these critical labours, and by occasional contributions to leading articles of the journal, when, without wounding his paper, this eminent publicist could conscientiously speak his mind, Mr. Arthur Pendennis gained the sum of four pounds four shillings weekly, and with no small pains and labour. Likewise he furnished Magazines and Reviews with articles of his composition, and is believed to have been (though on this score he never chooses to speak) London correspondent of the Chatteris Champion, which at that time contained some very brilliant and eloquent letters from the metropolis. By these labours the fortunate youth was enabled to earn a sum very nearly equal to four hundred pounds a year; and on the second Christmas after his arrival in London, he actually brought a hundred pounds to his mother, as a dividend upon the debt which he owed to Laura. That Mrs. Pendennis read every word of her son's works, and considered him to be the profoundest thinker and most elegant writer of the day; that she thought his retribution of the hundred pounds an act of angelic virtue; that she feared he was ruining his health by his labours, and was delighted when he told her of the society which he met, and of the great men of letters and fashion whom he saw, will be imagined by all readers who have seen son