Charles Lamb and the TheatreSmythe, 1978 - 134 Seiten |
Im Buch
Ergebnisse 1-3 von 24
Seite 61
... stage performance ' the too close press- ing semblance of reality , give a pain and an uneasiness which totally ... stage performance of a Shakespearean tragedy . Lamb objected when the stage performance caused a painful response . His ...
... stage performance ' the too close press- ing semblance of reality , give a pain and an uneasiness which totally ... stage performance of a Shakespearean tragedy . Lamb objected when the stage performance caused a painful response . His ...
Seite 106
... stage appealed primarily to the eye and shifted the emphasis away from the abstract appreciation of the ideas . Lamb did not advocate either reading or stage performance to the exclusion of the other , but argued essentially that a ...
... stage appealed primarily to the eye and shifted the emphasis away from the abstract appreciation of the ideas . Lamb did not advocate either reading or stage performance to the exclusion of the other , but argued essentially that a ...
Seite 109
... stage performance . The essence of the play consisted in its ' spiritual vision ' , and the stage's emphasis upon physical visual effects exaggerated the difference between Coleridge's ideal con- ception of the play's essential ...
... stage performance . The essence of the play consisted in its ' spiritual vision ' , and the stage's emphasis upon physical visual effects exaggerated the difference between Coleridge's ideal con- ception of the play's essential ...
Inhalt
Acknowledgements | 6 |
English Theatre 17371843 | 19 |
Lamb as Critic of Dramatic Literature | 37 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acknowledged acting techniques actors aesthetic appeared artificial comedy artist audience audience's Barnet Bensley Bensley's Byron character Charles Lamb Coleridge Coleridge's Colman comic Congreve contemporary Covent Garden Crabbe's decorum developed dramatic dramatists Drury Lane E. V. Lucas effect Elia Elizabethan Elizabethan and Jacobean English essay expressed Fanny Kelly farce feeling Fletcher genius Hamlet Hazlitt Hogarth idea imagination Jacobean dramatists John Philip Kemble John Woodvil Kean lacked Lamb argued Lamb claimed Lamb wrote Lamb's criticism Lear Leigh Hunt Letters London Macbeth Macready Malvolio manager manner ment mind moral sense Munden nature never objected painting passion play's poet poetic poetry presented Press produced qualities reading reference response Revenger's Tragedy Review Robert Southey role Sarah Siddons scenes seemed Shakespeare Shakespeare's plays Shakespearean tragedy Shelley Sheridan Siddons Southey Specimens and Extracts spectators stage performance suggested taste Tate's theatre theatrical thought tion tragic Univ vols Wife's Trial Wordsworth write