Charles Baudelaire: A Lyric Poet in the Era of High Capitalism |
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Seite 43
A Lyric Poet in the Era of High Capitalism Walter Benjamin. scientific story , a
modern cosmogony , the description of pathological phenomena . These genres
he regarded as exact products of a method for which he claimed universal
validity .
A Lyric Poet in the Era of High Capitalism Walter Benjamin. scientific story , a
modern cosmogony , the description of pathological phenomena . These genres
he regarded as exact products of a method for which he claimed universal
validity .
Seite 96
The tic , which for a time was regarded as fashionable , is , as it were , the clumsy
, lowlevel presentation of the problem . The following statement is very revealing :
' The face of an elegant man must always have something convulsive and ...
The tic , which for a time was regarded as fashionable , is , as it were , the clumsy
, lowlevel presentation of the problem . The following statement is very revealing :
' The face of an elegant man must always have something convulsive and ...
Seite 126
VI A story by Poe which Baudelaire translated may be regarded as the classic
example among the older versions of the motif of the crowd . It is marked by
certain peculiarities which , upon closer inspection , reveal aspects of social
forces of ...
VI A story by Poe which Baudelaire translated may be regarded as the classic
example among the older versions of the motif of the crowd . It is marked by
certain peculiarities which , upon closer inspection , reveal aspects of social
forces of ...
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Inhalt
Bibliographical note to the English edition | 7 |
The Flâneur | 35 |
Modernism | 67 |
Urheberrecht | |
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able antiquity appears artistic Baudelaire Baudelaire's beauty became become beginning big city called century Charles commodity concerned correspondances crowd describes dreams edited elements existence experience expression eyes fact fashion figure flâneur Fleurs follows force France give hand hero Hugo human idea important indicates individual interest kind later less light lines literature living London look lyric Marx masses material matter means memory mind nature never object observation original Paris pass past person Poe's poem poet poetry political present probably production Proust Quoted reader recognize reflections regarded remained says Second seems sense shock shows side social society speaks story streets sure things thought tion translated turn verses wine woman writes wrote
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Undoing Culture: Globalization, Postmodernism and Identity Professor Mike Featherstone Keine Leseprobe verfügbar - 1995 |