Charles Baudelaire: A Lyric Poet in the Era of High Capitalism |
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Seite 40
This literature , too , dealt with the masses , but its method was different from that
of the physiologies . It cared little about the definition of types ; rather , it
investigated the functions which are peculiar to the masses in a big city . One of
these ...
This literature , too , dealt with the masses , but its method was different from that
of the physiologies . It cared little about the definition of types ; rather , it
investigated the functions which are peculiar to the masses in a big city . One of
these ...
Seite 66
To him the crowd meant , almost in the ancient sense , the crowd of clients – that
is , the masses of his readers and his voters . Hugo was , in a word , no flâneur .
For the crowd which went with Hugo and with which he went there was no ...
To him the crowd meant , almost in the ancient sense , the crowd of clients – that
is , the masses of his readers and his voters . Hugo was , in a word , no flâneur .
For the crowd which went with Hugo and with which he went there was no ...
Seite 122
As regards Baudelaire , the masses were anything but external to him ; indeed , it
is easy to trace in his works his defensive reaction to their attraction and allure .
The masses had become so much a part of Baudelaire that it is rare to find a ...
As regards Baudelaire , the masses were anything but external to him ; indeed , it
is easy to trace in his works his defensive reaction to their attraction and allure .
The masses had become so much a part of Baudelaire that it is rare to find a ...
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Inhalt
Bibliographical note to the English edition | 7 |
The Flâneur | 35 |
Modernism | 67 |
Urheberrecht | |
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able antiquity appears artistic Baudelaire Baudelaire's beauty became become beginning big city called century Charles commodity concerned correspondances crowd describes dreams edited elements existence experience expression eyes fact fashion figure flâneur Fleurs follows force France give hand hero Hugo human idea important indicates individual interest kind later less light lines literature living London look lyric Marx masses material matter means memory mind nature never object observation original Paris pass past person Poe's poem poet poetry political present probably production Proust Quoted reader recognize reflections regarded remained says Second seems sense shock shows side social society speaks story streets sure things thought tion translated turn verses wine woman writes wrote
Verweise auf dieses Buch
Undoing Culture: Globalization, Postmodernism and Identity Professor Mike Featherstone Keine Leseprobe verfügbar - 1995 |