Fear and Misery of the Third ReichBloomsbury Publishing, 17.11.2016 - 224 Seiten Brecht's series of twenty-four interconnected playlets describe events which took place in ordinary German households in the 1930s. They dramatise with clinical precision the suspicion and anxiety experienced by ordinary people, particularly Jewish citizens, as the power of Hitler grew. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. This Student Edition features an extensive introduction and commentary and includes: a chronology of the Brecht's life and work; a synopsis of each playlet; an introduction to the context of the play; commentary on themes, characters, style and language; a review of the play in performance; notes on individual words and phrases in the text, and questions for further study. |
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Seite ii
... Brecht: Tom Kuhn Original work entitled Furcht und Elend des Dritten Reiches Translation copyright © 1983 by Stefan S. Brecht ... play are strictly reserved and application for performance etc. should be made before rehearsals by ...
... Brecht: Tom Kuhn Original work entitled Furcht und Elend des Dritten Reiches Translation copyright © 1983 by Stefan S. Brecht ... play are strictly reserved and application for performance etc. should be made before rehearsals by ...
Seite iii
... Brecht: 1898–1956 ... Brecht's politics and theory Fear and Misery of the Third Reich: historical background Writing Fear and Misery of the Third Reich Fear Deception and propaganda Resistance Realistic elements Epic features l A reading play ...
... Brecht: 1898–1956 ... Brecht's politics and theory Fear and Misery of the Third Reich: historical background Writing Fear and Misery of the Third Reich Fear Deception and propaganda Resistance Realistic elements Epic features l A reading play ...
Seite viii
Bertolt Brecht. 1931 1932 1933 between the traditional dramatic (or Aristotelian) and the new epic (or non-Aristotelian) theatre at which he is aiming. First performance of the learning play ... Brecht's only film Kuhle Wampe is held up by ...
Bertolt Brecht. 1931 1932 1933 between the traditional dramatic (or Aristotelian) and the new epic (or non-Aristotelian) theatre at which he is aiming. First performance of the learning play ... Brecht's only film Kuhle Wampe is held up by ...
Seite x
Bertolt Brecht. 1936 1937 1938 In March, military conscription is ... play Sen ̃ora Carrar's Rifles. Attends International Writers' Conference in ... Brecht sends a manuscript consisting of twenty-seven scenes to his friend Wieland ...
Bertolt Brecht. 1936 1937 1938 In March, military conscription is ... play Sen ̃ora Carrar's Rifles. Attends International Writers' Conference in ... Brecht sends a manuscript consisting of twenty-seven scenes to his friend Wieland ...
Seite xiv
... plays itself out at the very edge of meaning. Brecht, on the other hand, was deeply embedded in the political realities of his time. He could not risk play ... Brecht's contribution, as only of 'historical' significance. Yet if there is one ...
... plays itself out at the very edge of meaning. Brecht, on the other hand, was deeply embedded in the political realities of his time. He could not risk play ... Brecht's contribution, as only of 'historical' significance. Yet if there is one ...
Inhalt
iv | |
v | |
xiv | |
Further Reading | lxvi |
Fear and Misery of the Third Reich | 1 |
Additional Texts by Brecht | 93 |
Notes | 97 |
Questions for Further Study | 119 |
Bloomsbury Methuen Drama Student Editions | 123 |
Bloomsbury Methuen Drama Modern Plays | 125 |
Bloomsbury Methuen Drama Contemporary Dramatists | 127 |
Bloomsbury Methuen Drama World Classics | 129 |
Bloomsbury Methuen Drama Classical Greek Dramatists | 131 |
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Häufige Begriffe und Wortgruppen
actors Arndt audience Berliner Ensemble Bertolt Brecht Brecht Collected Plays Brecht’s play Brechtian Bru¨hl butcher’s can’t Caspar Neher Caucasian Chalk Circle chalk cross character chauffeur Communist concentration camp cook dairywoman daughter Dievenbach dramatic dying emphasised epic theatre Erwin Piscator exile farmer Fear and Misery fellow Fu¨hrer German Germany’s give Ha¨berle Heil Hitler Helene Weigel Hitler Youth honour husband inspector jehovah’s witness Jewish wife Judicial process Lohmann look maidservant Marxist Miehl Mother Courage Nazi Party Nazism Neher neighbour NSDAP one’s pastor Peat-bog soldiers performance play’s poems political production prosecutor radio Reichstag released Republic resistance scharfu¨hrer Schu¨nt and Gaunitzer second boy second woman senior judge social sort Soviet stage suppose surgeon talk Tallinger tell Theo there’s thing Third Reich Threepenny Opera unemployed Verfremdung volumes Weimar Weimar Republic What’s who’s Winter Aid young worker