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The required books of the C. L. S. C. are recommended by a
Council of six.-It must, however, be understood that rec-
ommendation does not involve an approval by the Council,
or by any member of it, of every principle or doctrine con-
tained in the book recommended.

820.9
H164

Copyright, 1898

By FLOOD & VINCENT

The Chautauqua-Century Press, Meadville, Pa., U. S. A.
Electrotyped, Printed, and Bound by Flood & Vincent

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IN our country house here there is an old mahogany bookcase which dates from my father's time, filled with books for the most part belonging to my mother, bearing dates of publication earlier than her birth, and the favorites of her youth. I inherit her taste for these antiquated volumes, and have myself added to the collection from time to time, so that at present it makes a brave show of shabby gilt backs, worn-out calf bindings, and foolish titles, in themselves, in many cases, an advertisement of dulness. On these shelves stand "The Infidel Father," "Father and Daughter," 'Marchmont," "The Exiles," "Julia," in full view, while others are relegated to a position behind the rest; by contrast the long row of Mrs. Barbauld's novelists, fifty uniform little volumes, charm the eye, my mother's own copy of "Sir Charles Grandison," in nineteen volumes, book-marks of green ribbon hanging from the volumes— for such marks were needed by the diligent readers of Richardson's prolixity—all of Miss Burney's novels, on the lower shelf an early edition of Miss Edgeworth and all of Jane Austen, in one solid volume closely printed. The Spectator is there; so are Pope, Cowper, and Goldsmith; "Rasselas" and "Robinson Crusoe," likewise, with "Select British Poets" collected by William Hazlitt, called also "New Elegant Extracts from Chaucer to the Present Time," and published in 1824. It is from such a mine of excellence that I have drawn the material of the present book. The busy world of

to-day thinks it has no time to examine for itself a collection like this, to choose the real gold and reject the dross, yet my wish is, in the extracts I am giving of my favorite authors, to induce readers to search further for themselves.

The ruling passion of mankind has been said to be curiosity. The most respectable form of it, it seems to me, is curiosity about mankind as it is, an interest in human nature, such as Fielding avowed, and almost every one recognizes in himself. In some it takes the form of excavation and search for relics of remote antiquity. When I was in Tunis, and visiting the site of ancient Carthage, of which absolutely nothing remains, and where nothing more was to be seen than a green field with goats browsing in it and a glorious view of the Mediterranean, it was announced to us that a tomb had that moment been opened, containing the skeleton of a Carthaginian man. A Punic man, actually lying there with no other signs to tell his story. Instantly the curiosity to know that story became intense. The passion for digging in ancient ruins is easily understood.

After the admirable invention of Cadmus, it becomes easier to learn about our progenitors. Hieroglyphics help, and although libraries are burnt, like Alexandria and Cordova, parchments are preserved and others come to light. With printing the matter grows simpler, for now the events of the world can be recorded and preserved, if people will but take the trouble to write. them down. Research has brought to light the manners and customs of the early centuries, and now literature begins to record them, though at first sparingly.

People began to write good prose and beautiful poetry in the English language twelve centuries ago, and we may find satisfaction for our curiosity by

studying their works all along these years. But it is only with the end of the seventeenth and opening of the eighteenth century that the intellectual stir of the times begins to assume a personal character; lives, biographies, essays, from that time abound, and letter-writing took its valuable place in the literature of England. It seems as if everybody had discovered the fun of rushing into print. Political pamphlets preceded the newspaper editorial to which we are now accustomed. Fine ladies wrote ballads which were printed and scattered about the streets. Squibs, reviews, satirical poems, and letters filled the air. The personal rancors or political differences which inspired these flights have long ago vanished, but we may search such papers with interest to find traces of the manners of the world which wrote and read them. This literature naturally centered in London, reflecting upon human character and human life as seen in the great city. It discussed all the varieties of social life, and painted London society more vividly than has been done before or since.

It is of London, therefore, that we learn more than of the country life of England in our study of this literature, but Addison has given us a glimpse of the country in his description of Sir Roger, and Fielding and Goldsmith allow us a whiff of country air. Yet even with these, the indifference to landscape and the enjoyment of nature are remarkable. It has been said that the subject of nature and man's relation to it, that is of the visible landscape, sea, and sky, were as yet untouched up to the age of Pope, and the subject of man alone treated. This is so well and thoroughly handled that we cannot fail to acquire a pretty good notion of what man was like in the century before our own.

It is this view that has occupied me in making the

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