A Matter of Taste: How Names, Fashions, and Culture Change

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Yale University Press, 01.01.2000 - 334 Seiten
What accounts for our tastes? Why and how do they change over time? In this innovative book Stanley Lieberson analyzes children's first names to develop an original theory of fashion. Children's names provide an opportunity to view the pure mechanisms of fashion, unaffected by commercial interests that influence many fashions and tastes, says Lieberson. He disputes the commonly held notion that tastes in names (and other fashions) simply reflect societal shifts. There exist also "internal taste mechanisms" that drive changes in fashion even in the absence of social change, Lieberson contends. He explores the intricate and subtle ways in which internal mechanisms operate in concert with social forces to determine our choices of names. And he applies these conclusions to classical music, the decline of the fedora, women's garments, and other examples of change in fashion.

Examining extensive data on names over long periods of time, Lieberson discovers an orderly regularity to the process of change. He considers an array of naming practices -- how Rebecca became a popular name, why the names of certain important and attractive biblical characters are rarely chosen, and the influence of movie stars and characters in movies and novels. The book also inquires into name selection by specific ethnic and racial groups -- Mexicans' choices of names for their sons and daughters, African-American naming tastes from the time of slavery, changing names among American Jews throughout the twentieth century, and ethnic influences on naming in assimilated white groups. Lieberson concludes with a discussion of broader applications of internal mechanisms, suggesting that they operate widely in culture,across the entire "cultural surface".

 

Ausgewählte Seiten

Inhalt

Tastes Why Do They Become What They Become?
1
Becoming a Fashion
31
How the Social Order Influences Names After They Become a Matter of TasteAnd How It Doesnt
69
The Ratchet Effect
92
Other Internal Mechanisms
112
Models of the Fashion Process
143
Ethnic and Racial Groups
172
Entertainment and Entertainers
223
Broader Issues The Cultural Surface and Cultural Change
257
Sources for Graphs in Chapter 2
277
Use of Ethnic Data in Chapter 7
283
Notes
289
References
303
Index
317
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Beliebte Passagen

Seite 15 - I have always thought that fashion resulted to a large extent from the desire of the privileged to distinguish themselves, whatever the cost, from the masses who followed them; to set up a barrier. 'Nothing makes noble persons despise the gilded costume so much [according to a Sicilian who passed through Paris in 1714] as to see it on the bodies of the lowest men in the world.'175 So the upper classes had to invent new 'gilded costumes...
Seite 18 - Cadillac owners realized that it gave them an extra receipt for their money in the form of a visible prestige marking for an expensive car." Earl's airplane allusions also resonated with the nationalist ideology of the postwar era, for they symbolized America's military superiority over past and present enemies.
Seite xiii - The study of fads and fashions2 may serve the student of social change much as the study of fruit flies has served geneticists: neither the sociologist nor the geneticist has to wait long for a new generation to arrive.
Seite 75 - ... the League of Women Voters and the American Association of University Women.
Seite 224 - I always judge a young author by the names which he bestows upon his characters. If the names seem to be weak or to be unsuitable to the people who bear them, I put the author down as a man of little talent, and am no further interested in his book.
Seite 15 - Nothing makes noble persons despise the gilded costume so much [according to a Sicilian who passed through Paris in 1714] as to see it on the bodies of the lowest men in the world.'175 So the upper classes had to invent new 'gilded costumes', or new distinctive signs, whatever they might be, every time complaining that 'things have changed indeed, and the new clothes being worn by the bourgeois, both men and women, cannot be distinguished from those of persons of quality
Seite 32 - Any area of social life that is caught in continuing change is open to the intrusion of fashion. In contrast, fashion is scarcely to be found in settled societies, such as primitive tribes, peasant societies, or caste societies, which cling to what is established and has been sanctioned through long usage.
Seite 9 - But fashion is not only a matter of abundance, quantity, profusion. It also consists in making a quick change at the right moment. It is a question of season, day and hour. In fact the sovereign authority of fashion was barely enforced in its full rigour before 1 700. At that time the word gained a new lease of life and spread everywhere with a new meaning: keeping up with the times.

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