Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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... roles in this case , of kingship . Just as Shakespeare found his imagi- nation struck by the stage's transformation of subject to king and back again , he seems to have been fasci- nated by the image of gender as role . In five plays ...
... roles in this case , of kingship . Just as Shakespeare found his imagi- nation struck by the stage's transformation of subject to king and back again , he seems to have been fasci- nated by the image of gender as role . In five plays ...
Seite 76
... roles are familiar from the comedies . Then , like the protagonists of the history plays , especially the Roman ... role reversals are given their ironic point by the fact that they are not charac- teristic of the couple . This play ...
... roles are familiar from the comedies . Then , like the protagonists of the history plays , especially the Roman ... role reversals are given their ironic point by the fact that they are not charac- teristic of the couple . This play ...
Seite 84
... role as narrow , fixed , and deceitful as his ; her " sweet dependency " is as false as his " bounty " ( V.ii.26 , 43 ) . Each assumes a role to deceive rather than to change the other , and each recognizes the other's deceit ; he ...
... role as narrow , fixed , and deceitful as his ; her " sweet dependency " is as false as his " bounty " ( V.ii.26 , 43 ) . Each assumes a role to deceive rather than to change the other , and each recognizes the other's deceit ; he ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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