Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 78
... political power insures Antony's powerlessness ; his " Noble , courageous , high , unmatchable " spirit is " o'erpow'red " by Caesar , as the soothsayer says ( II.iii.18-21 ) . There is in the play no image of Rome or of empire that ...
... political power insures Antony's powerlessness ; his " Noble , courageous , high , unmatchable " spirit is " o'erpow'red " by Caesar , as the soothsayer says ( II.iii.18-21 ) . There is in the play no image of Rome or of empire that ...
Seite 86
... political harmony and the continuity of heirs : O now let Richmond and Elizabeth , The true succeeders of each royal house , By God's fair ordinance conjoin together ! And let their heirs , God , if thy will be so , Enrich the time to ...
... political harmony and the continuity of heirs : O now let Richmond and Elizabeth , The true succeeders of each royal house , By God's fair ordinance conjoin together ! And let their heirs , God , if thy will be so , Enrich the time to ...
Seite 287
... political state is a microcosmic reflection of the universal state under time , the antagonists of the second quatrain , the ocean and the shore , are rendered totally in human terms , as they act in accordance with political motives ...
... political state is a microcosmic reflection of the universal state under time , the antagonists of the second quatrain , the ocean and the shore , are rendered totally in human terms , as they act in accordance with political motives ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young