Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 51
... DISGUISE Juliet Dusinberre ( essay date 1975 ) SOURCE : " Androgyny : Crossdressing and Disguise , " in Shakespeare and the Nature of Women , 2nd Edi- tion , Macmillan Press Ltd. , 1996 , pp . 231-71 . [ In the following excerpt ...
... DISGUISE Juliet Dusinberre ( essay date 1975 ) SOURCE : " Androgyny : Crossdressing and Disguise , " in Shakespeare and the Nature of Women , 2nd Edi- tion , Macmillan Press Ltd. , 1996 , pp . 231-71 . [ In the following excerpt ...
Seite 156
... disguise ( Portia , Nerissa , and Jessica ) in The Merchant of Venice . ] Although Shakespeare gave three different types of male identity to the three heroines in his second play to use the motif of a boy heroine in male disguise ...
... disguise ( Portia , Nerissa , and Jessica ) in The Merchant of Venice . ] Although Shakespeare gave three different types of male identity to the three heroines in his second play to use the motif of a boy heroine in male disguise ...
Seite 158
... disguise . Jessica's disguise is part of a sequential arrangement , offering an abbreviated and ironic preview , or what Joan Hart- wig calls a " proleptic parody , " of what is to come . Jessica's disguise as a torchbearer or page also ...
... disguise . Jessica's disguise is part of a sequential arrangement , offering an abbreviated and ironic preview , or what Joan Hart- wig calls a " proleptic parody , " of what is to come . Jessica's disguise as a torchbearer or page also ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young