The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and ProgrammingRichard Boulanger MIT Press, 28.02.2000 - 782 Seiten Created in 1985 by Barry Vercoe, Csound is one of the most widely used software sound synthesis systems. Because it is so powerful, mastering Csound can take a good deal of time and effort. But this long-awaited guide will dramatically straighten the learning curve and enable musicians to take advantage of this rich computer technology available for creating music. Written by the world's leading educators, programmers, sound designers, and composers, this comprehensive guide covers both the basics of Csound and the theoretical and musical concepts necessary to use the program effectively. The thirty-two tutorial chapters cover: additive, subtractive, FM, AM, FOF, granular, wavetable, waveguide, vector, LA, and other hybrid methods; analysis and resynthesis using ADSYN, LP, and the Phase Vocoder; sample processing; mathematical and physical modeling; and digital signal processing, including room simulation and 3D modeling. CDs for this book are no longer produced. To request files, please email digitalproducts-cs@mit.edu. |
Inhalt
Introduction to Sound Design in Csound | 5 |
Audification of Heart Rhythms in Csound | 12 |
SpatializationStereo and Ambisonic | 23 |
Temporal Synthesis | 29 |
CDROM Tutorials | 44 |
Optimizing Your Csound Instruments | 123 |
Using Csounds Macro Language Extensions | 137 |
Designing Acoustically Viable Instruments in Csound | 155 |
19 | 363 |
An Introduction to Signal Processing with Csound | 389 |
Understanding Csounds Spectral Data Types | 445 |
22 | 451 |
An Introduction to Reverberation Design with Csound | 469 |
Implementing the Gardner Reverbs in Csound | 483 |
Csoundbased Auditory Localization | 493 |
Csounds Phase Vocoder and Extensions | 541 |
Designing Legato Instruments in Csound | 171 |
ContiguousGroup Wavetable Synthesis of the French Horn | 187 |
Modeling Classic Electronic Keyboards in Csound | 207 |
A Survey of Classic Synthesis Techniques in Csound | 223 |
FM Synthesis in Csound | 261 |
Granular Synthesis in Csound | 281 |
CDROM Music | 282 |
Processing Samples with Csounds FOF Opcode | 307 |
A Look at Random Numbers Noise and Chaos with Csound | 325 |
17 | 335 |
Using Global Csound Instruments for MetaParameter Control | 353 |
Spare Luxury | 575 |
Extending Csound | 599 |
Adding New Unit Generators to Csound | 613 |
List of the Csound Book Chapter Instruments | 637 |
Recommended Reading | 645 |
Recommended Listening | 647 |
Csounds Error Messages | 663 |
Csound Quick Reference | 701 |
| 727 | |
Andere Ausgaben - Alle anzeigen
The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal ... Richard Boulanger Eingeschränkte Leseprobe - 2000 |
The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal ... Richard Boulanger Keine Leseprobe verfügbar - 2000 |
Häufige Begriffe und Wortgruppen
acoustic additive synthesis algorithm allpass filter ampdb amplitude envelope amplitude modulation arguments asig audio Block diagram butterbp carrier Chowning code for instr complex components Computer Music cpspch p5 create Csound decay defined delay line delayr deltapi diagram of instr duration dynamic endin Figure example exponential expseg f-statement f-table FM instrument formant frequency frequency modulation function table global grain granular synthesis granule harmonic iamp idur ifrq implemented inharmonic init input integer k-rate kdec kenv linear linen linseg lowpass filter macro MIDI modulation modulation index multiple octave opcode Orchestra and score Orchestra code oscil output p-fields parameters phase phase vocoder pitch produce random reson result reverb sampling rate score code score file shown in figure signal simple sine wave sinewave sound soundfile spectral spectrum tablei techniques timbre tone variable vibrato waveform waveshaping wavetable zero