Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 17
... what you've written . Did you capture the ex- perience ? What's good about it ? Would it be more dramatic if you changed it ? If it needs changing , reshape it to add sizzle , without compromising the truth BUILDING A STRONG FOUNDATION ...
... what you've written . Did you capture the ex- perience ? What's good about it ? Would it be more dramatic if you changed it ? If it needs changing , reshape it to add sizzle , without compromising the truth BUILDING A STRONG FOUNDATION ...
Seite 111
... what they mean . Use them as jumping - off places for your own creativity , adding to them , changing them , mov- ing ... what's going on around me . Buy a small notebook , and for the next week or month or six months , record an entry ...
... what they mean . Use them as jumping - off places for your own creativity , adding to them , changing them , mov- ing ... what's going on around me . Buy a small notebook , and for the next week or month or six months , record an entry ...
Seite 174
... What a swell guy to let me off the hook . " But if you hear the subtext , you'll get the money fast , or it will be a ... What's wrong ? DIANE SAM DIANE Oh , don't you see , Frasier's in love ? What ? SAM DIANE Oh come on , Sam . You're ...
... What a swell guy to let me off the hook . " But if you hear the subtext , you'll get the money fast , or it will be a ... What's wrong ? DIANE SAM DIANE Oh , don't you see , Frasier's in love ? What ? SAM DIANE Oh come on , Sam . You're ...
Inhalt
Building a Strong Foundation for Your Creative Work | 1 |
Finding Out What Fuels Your Most Productive Writing | 21 |
Pushing Your Mind to Another Creative Level | 39 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue Divergent Thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem psychologist readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York