Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 88
... visual thinker but find that you don't think in sounds . Or perhaps you can see the film as you write it , but don't yet think in visual metaphors . Maybe you're more of a feeling type - you can intuit your charac- ters , but don't know ...
... visual thinker but find that you don't think in sounds . Or perhaps you can see the film as you write it , but don't yet think in visual metaphors . Maybe you're more of a feeling type - you can intuit your charac- ters , but don't know ...
Seite 90
... visual thinking , I had trouble with objects in motion - such as the galloping horse , the flying bird , the track star running past the finish line . They seemed to move in fits and starts , almost like stop- motion . If you're ...
... visual thinking , I had trouble with objects in motion - such as the galloping horse , the flying bird , the track star running past the finish line . They seemed to move in fits and starts , almost like stop- motion . If you're ...
Seite 152
... visual thinking you learned in Chapter Six and on the work you did with the shadow in Chapter Eight . It will progress from working with oppositional thinking in scenes to oppositional thinking as it applies to characters . REMEMBER ...
... visual thinking you learned in Chapter Six and on the work you did with the shadow in Chapter Eight . It will progress from working with oppositional thinking in scenes to oppositional thinking as it applies to characters . REMEMBER ...
Inhalt
Building a Strong Foundation for Your Creative Work | 1 |
Finding Out What Fuels Your Most Productive Writing | 21 |
Pushing Your Mind to Another Creative Level | 39 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue Divergent Thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem psychologist readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York