Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 44
... scene to make it more interesting ? Addition might include using a car , a truck , and a camel . Addition might mean ... scene ? Instead of two cars chasing , could you have four ? Come up with ten multiplications to what you've already ...
... scene to make it more interesting ? Addition might include using a car , a truck , and a camel . Addition might mean ... scene ? Instead of two cars chasing , could you have four ? Come up with ten multiplications to what you've already ...
Seite 84
... scene that you remember from the case - a courtroom scene , a murder scene , O.J.'s escape in the Bronco , or an investigation scene . Do you sympathize with the prosecution or the defense in the courtroom scene ? Do you show a getaway ...
... scene that you remember from the case - a courtroom scene , a murder scene , O.J.'s escape in the Bronco , or an investigation scene . Do you sympathize with the prosecution or the defense in the courtroom scene ? Do you show a getaway ...
Seite 154
... scene , imagining the foreground of the scene as serious while something very silly or hor- rible or unexpected happens in the background . If you can imagine these scenes in your mind , you've begun to practice oppositional thinking ...
... scene , imagining the foreground of the scene as serious while something very silly or hor- rible or unexpected happens in the background . If you can imagine these scenes in your mind , you've begun to practice oppositional thinking ...
Inhalt
Building a Strong Foundation for Your Creative Work | 1 |
Finding Out What Fuels Your Most Productive Writing | 21 |
Pushing Your Mind to Another Creative Level | 39 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue Divergent Thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem psychologist readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York