Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
Im Buch
Ergebnisse 1-3 von 22
Seite 26
... play around with the ideas , " Ideas can combine and pursue each other every which way . Because of this freedom , original connections that would be at first rejected by the rational mind have a chance to become established . " 1 ...
... play around with the ideas , " Ideas can combine and pursue each other every which way . Because of this freedom , original connections that would be at first rejected by the rational mind have a chance to become established . " 1 ...
Seite 85
... play Clinton ? John Travolta ( à la Primary Colors ) or Ray Liotta ? Who will play Monica ? A young Glen Close ( à la Fatal Attraction ) or Cameron Diaz or Winona Ryder ? What qualities in the actor help you convey your point of view ...
... play Clinton ? John Travolta ( à la Primary Colors ) or Ray Liotta ? Who will play Monica ? A young Glen Close ( à la Fatal Attraction ) or Cameron Diaz or Winona Ryder ? What qualities in the actor help you convey your point of view ...
Seite 209
... play . You don't say to some- body his first play is shit . EDDIE ( to Moss ) Excuse me . It's a gem . A rare diamond . That reads surprisingly like shit . MOSS Come on . I can take it . If HOW TO GET QUALITY FEEDBACK TO IMPROVE WHAT ...
... play . You don't say to some- body his first play is shit . EDDIE ( to Moss ) Excuse me . It's a gem . A rare diamond . That reads surprisingly like shit . MOSS Come on . I can take it . If HOW TO GET QUALITY FEEDBACK TO IMPROVE WHAT ...
Inhalt
Building a Strong Foundation for Your Creative Work | 1 |
Finding Out What Fuels Your Most Productive Writing | 21 |
Pushing Your Mind to Another Creative Level | 39 |
Urheberrecht | |
12 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue Divergent Thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem psychologist readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York