Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 159
... opposition to what the char- acter wants or there's no story . What is this resistance ? Why is the goal so difficult to achieve ? To get at the answer , begin with yourself . Think of what you want , what you yearn for , and what ...
... opposition to what the char- acter wants or there's no story . What is this resistance ? Why is the goal so difficult to achieve ? To get at the answer , begin with yourself . Think of what you want , what you yearn for , and what ...
Seite 173
... opposition between characters often comes out in the relationship between the text and the subtext in the dialogue ... opposition and tension . Occasionally a character knows his or her subtext but doesn't want to say it directly . THE ...
... opposition between characters often comes out in the relationship between the text and the subtext in the dialogue ... opposition and tension . Occasionally a character knows his or her subtext but doesn't want to say it directly . THE ...
Seite 177
... opposition will expand and deepen a character . They will also expand and deepen the writer . Great scripts do not spring from a vacuum . They come from writers who are willing to explore darkness , rough roads , confrontations in their ...
... opposition will expand and deepen a character . They will also expand and deepen the writer . Great scripts do not spring from a vacuum . They come from writers who are willing to explore darkness , rough roads , confrontations in their ...
Inhalt
Building a Strong Foundation for Your Creative Work | 1 |
Finding Out What Fuels Your Most Productive Writing | 21 |
Pushing Your Mind to Another Creative Level | 39 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue Divergent Thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem psychologist readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York