Discourse, Bände 1-2Indiana University Press, 1979 |
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Ergebnisse 1-3 von 33
Seite 120
... tion of the way an intertextual system can be organized to produce new readings of an ' image . ' As we have demonstrated with one shot in the ' narrative ' segment , the same process works for the ' narrative ' ' segment within the ...
... tion of the way an intertextual system can be organized to produce new readings of an ' image . ' As we have demonstrated with one shot in the ' narrative ' segment , the same process works for the ' narrative ' ' segment within the ...
Seite 27
... tion , etc. ) . It is the plane of denotation thus defined , with its two facets , that is to be invested with the signifier of connotation . Connota- tion , in fact , never stands isolated , it is always connotation of something . If a ...
... tion , etc. ) . It is the plane of denotation thus defined , with its two facets , that is to be invested with the signifier of connotation . Connota- tion , in fact , never stands isolated , it is always connotation of something . If a ...
Seite 30
... tion : one of them connotes the mediocrity of the musical instru- ment , the other its " normality " ( violon actually has zero connota- tion , but this is still a unit of connotation ) . Thus the signifiers of denotation and those of ...
... tion : one of them connotes the mediocrity of the musical instru- ment , the other its " normality " ( violon actually has zero connota- tion , but this is still a unit of connotation ) . Thus the signifiers of denotation and those of ...
Inhalt
Editorial 3 | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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