Discourse, Bände 1-2Indiana University Press, 1979 |
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Seite 27
... nature of the referent in the case of the documentary and the docu - drama prevent the screen from be- coming the mirror that it does in connection with spectacle ? M : My answer would be yes , it does , to some extent . And perhaps I ...
... nature of the referent in the case of the documentary and the docu - drama prevent the screen from be- coming the mirror that it does in connection with spectacle ? M : My answer would be yes , it does , to some extent . And perhaps I ...
Seite 60
... nature considered as an object , whether or not nature has been worked on by others already , and in so doing develops new needs and new capacities . It is this propensity to transform nature and thereby transform oneself that is the ...
... nature considered as an object , whether or not nature has been worked on by others already , and in so doing develops new needs and new capacities . It is this propensity to transform nature and thereby transform oneself that is the ...
Seite 97
... nature - ness of it , the way that acrobatics is not natural , straining your body and producing a skill which is against a natural way of behaving and moving , and also defying gravity , so that the return to the body is a turn away ...
... nature - ness of it , the way that acrobatics is not natural , straining your body and producing a skill which is against a natural way of behaving and moving , and also defying gravity , so that the return to the body is a turn away ...
Inhalt
Editorial 3 | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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