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Seite 19
with the situation in the Imaginary which is reconstructed the Mirror Stage , the specular relationship , the duality – in the film viewing experience . And yet , cinema - the film is a Symbolic construction - it's a discourse , and it ...
with the situation in the Imaginary which is reconstructed the Mirror Stage , the specular relationship , the duality – in the film viewing experience . And yet , cinema - the film is a Symbolic construction - it's a discourse , and it ...
Seite 122
is much more on the level of the poetic workings of the imaginary . We were interested in the moment when the camera films itself filming . It seems to be a crucial moment in the film and is located in a sequence that has layers of ...
is much more on the level of the poetic workings of the imaginary . We were interested in the moment when the camera films itself filming . It seems to be a crucial moment in the film and is located in a sequence that has layers of ...
Seite 116
According to Barthes , the dialectic of imaginary and real involved in the general process of figural representation : involves giving to the imaginary a formal guarantee of the real , but while preserving in the sign the ambiguity of a ...
According to Barthes , the dialectic of imaginary and real involved in the general process of figural representation : involves giving to the imaginary a formal guarantee of the real , but while preserving in the sign the ambiguity of a ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action actually analysis appear attempt become beginning called cinema cognitive communication complex concept concerns connotation constitute construction criticism culture definition denotation desire detective diegesis discourse discussion distinction effect elements estrangement example existence expression fact fiction figurative film forces formal function genre Habermas Habermas's human identification ideology images imaginary important individual interest issue kind knowledge language linguistic literary literature Marx Marxism mass material means mirror mother myth narrative nature notion novel object original person political position possible practical precisely present problem produced psychoanalysis question reference relation relationship remains represents science fiction seems sense signifier signs situation social society speak specific spectator sphinx stories structure Superman Suvin Symbolic theory things tion tradition unconscious University women writes