Discourse, Bände 1-2Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 29
Seite 16
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
Seite 21
... forces within the spectator or filmmaker which no longer meet their secondary identification goal can reinforce ... forces . If you weaken one of the forces , it's difficult to avoid reinforcing the other one , because there is a balance ...
... forces within the spectator or filmmaker which no longer meet their secondary identification goal can reinforce ... forces . If you weaken one of the forces , it's difficult to avoid reinforcing the other one , because there is a balance ...
Seite 62
... forces of production were contained within and constrained by the relations of production , which signified society's class structure . The forces of production , on Marx's view , provide the basis of a critique of the ideological ...
... forces of production were contained within and constrained by the relations of production , which signified society's class structure . The forces of production , on Marx's view , provide the basis of a critique of the ideological ...
Inhalt
Editorial 3 | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic analysis apparatus articulation Barthes Bellour Brecht Christian Metz cinema cinematographic code of denotation cognitive concept consciousness criticism critique Darko Suvin day-care dialectic diegesis enunciation epistemology estranged fiction existence fact fantasy feminist fetishism film filmic Foucault Freud function genre German Habermas Habermas's Hans-Jürgen Syberberg Hitler human ideology images imaginary issues Jacques Lacan Jerry Siegel Jürgen Habermas Kent kind language Laura Mulvey linguistic literary literature Lois Lane Louise Marx Marx's Marxist mass culture means mirror Mirror Stage mother motherhood myth narrative naturalist notion object Odd John Oedipus Oedipus Complex Penthesilea political possible precisely problem produced psychoanalysis question realm relation relationship Riddles Roland Barthes science fiction semiotic sense Siegel signifier of connotation signifier of denotation situation social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg Symbolic theory things tion unconscious women