Discourse, Bände 1-2Indiana University Press, 1979 |
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Seite 9
... fact - has three kinds of main entrances : the linguistic one ( cinema as a discourse , history , or story , editing patterns , etc. ) ; the psychoanalytic one ; and the directly social and economic one . And perhaps on this point I ...
... fact - has three kinds of main entrances : the linguistic one ( cinema as a discourse , history , or story , editing patterns , etc. ) ; the psychoanalytic one ; and the directly social and economic one . And perhaps on this point I ...
Seite 25
... fact of looking implies a distance . If you are too close to an object , you no longer see it . The very fact of hearing implies a distance . So , I think that all drives are based on this loose relation with the object . With certain ...
... fact of looking implies a distance . If you are too close to an object , you no longer see it . The very fact of hearing implies a distance . So , I think that all drives are based on this loose relation with the object . With certain ...
Seite 50
... fact , " a " historical and social fact , a fact of civilization ( to use Marcel Mauss's formula ) . " And it is true , as Metz remarks in another essay , that the domination of " novelesque fiction " in cinema constitutes a peculiar ...
... fact , " a " historical and social fact , a fact of civilization ( to use Marcel Mauss's formula ) . " And it is true , as Metz remarks in another essay , that the domination of " novelesque fiction " in cinema constitutes a peculiar ...
Inhalt
Editorial 3 | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic analysis apparatus articulation Barthes Bellour Brecht Christian Metz cinema cinematographic code of denotation cognitive concept consciousness criticism critique Darko Suvin day-care dialectic diegesis enunciation epistemology estranged fiction existence fact fantasy feminist fetishism film filmic Foucault Freud function genre German Habermas Habermas's Hans-Jürgen Syberberg Hitler human ideology images imaginary issues Jacques Lacan Jerry Siegel Jürgen Habermas Kent kind language Laura Mulvey linguistic literary literature Lois Lane Louise Marx Marx's Marxist mass culture means mirror Mirror Stage mother motherhood myth narrative naturalist notion object Odd John Oedipus Oedipus Complex Penthesilea political possible precisely problem produced psychoanalysis question realm relation relationship Riddles Roland Barthes science fiction semiotic sense Siegel signifier of connotation signifier of denotation situation social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg Symbolic theory things tion unconscious women