Discourse, Bände 1-2Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 48
Seite 50
... cinema of representation was not totally unexpected , it is also true , as Christian Metz put it , that cinema had not been expected to be used to tell stories . " From the beginnings of the cinematograph there were various indications ...
... cinema of representation was not totally unexpected , it is also true , as Christian Metz put it , that cinema had not been expected to be used to tell stories . " From the beginnings of the cinematograph there were various indications ...
Seite 51
... cinema into the social imaginary . The decisive factor lay not so much in cinema's capacity to produce fictions as in the effect resulting from the combination of the fiction - effect magnified by the cinema - machine . The investment ...
... cinema into the social imaginary . The decisive factor lay not so much in cinema's capacity to produce fictions as in the effect resulting from the combination of the fiction - effect magnified by the cinema - machine . The investment ...
Seite 52
... cinema is not simply a way of producing discourse . Discourses are embodied in technical pro- cesses , in institutions , in patterns of general behavior , in forms for transmission and diffusion , and in pedagogical forms which , at ...
... cinema is not simply a way of producing discourse . Discourses are embodied in technical pro- cesses , in institutions , in patterns of general behavior , in forms for transmission and diffusion , and in pedagogical forms which , at ...
Inhalt
Editorial 3 | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic analysis apparatus articulation Barthes Bellour Brecht Christian Metz cinema cinematographic code of denotation cognitive concept consciousness criticism critique Darko Suvin day-care dialectic diegesis enunciation epistemology estranged fiction existence fact fantasy feminist fetishism film filmic Foucault Freud function genre German Habermas Habermas's Hans-Jürgen Syberberg Hitler human ideology images imaginary issues Jacques Lacan Jerry Siegel Jürgen Habermas Kent kind language Laura Mulvey linguistic literary literature Lois Lane Louise Marx Marx's Marxist mass culture means mirror Mirror Stage mother motherhood myth narrative naturalist notion object Odd John Oedipus Oedipus Complex Penthesilea political possible precisely problem produced psychoanalysis question realm relation relationship Riddles Roland Barthes science fiction semiotic sense Siegel signifier of connotation signifier of denotation situation social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg Symbolic theory things tion unconscious women