Germany's Three Reichs: Their History and CultureH. Fertig, 1969 - 420 Seiten |
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Seite 84
... influence , which overcame Italian influence , purified taste , while the art was enriched by the contributions brought to it by the new culture . This explains the efflorescence of poetry between 1700 and 1750. Its importance has been ...
... influence , which overcame Italian influence , purified taste , while the art was enriched by the contributions brought to it by the new culture . This explains the efflorescence of poetry between 1700 and 1750. Its importance has been ...
Seite 87
... influence was succeeded by imitation of the French . The art of Versailles and the rococo style became German styles between 1650 and 1750 . From all this literary and artistic evolution the conclusion is to be drawn that German art was ...
... influence was succeeded by imitation of the French . The art of Versailles and the rococo style became German styles between 1650 and 1750 . From all this literary and artistic evolution the conclusion is to be drawn that German art was ...
Seite 161
... influence over the nation through its concentration and accumulation of immense capital resources . The less ... influence of rationalism and pietist sentimentality , or finally to the many foreign influences to which Germany was ...
... influence over the nation through its concentration and accumulation of immense capital resources . The less ... influence of rationalism and pietist sentimentality , or finally to the many foreign influences to which Germany was ...
Inhalt
GERMANYS OFFENSIVE AGAINST | 19 |
THE HOLY ROMAN EMPIRE | 41 |
The victory of the Länder | 53 |
Urheberrecht | |
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