The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptSilman-James Press, 1998 - 314 Seiten "The Screenwriter's Bible is six books in one. Book 1 -- A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 -- A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 -- A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 -- A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 -- A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 -- A resource guide that provides addresses and contacts for industry organizations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals." - product description. |
Im Buch
Ergebnisse 1-3 von 44
Seite 105
... follows is a sample of a title page ( page 106 ) and sample scenes ( pages 106-109 ) in standard spec screenplay ... follow , I now feel compelled to explain that the scenes romanticize my teaching policy of tossing a candy mint to any ...
... follows is a sample of a title page ( page 106 ) and sample scenes ( pages 106-109 ) in standard spec screenplay ... follow , I now feel compelled to explain that the scenes romanticize my teaching policy of tossing a candy mint to any ...
Seite 120
... follows : INT . BEDROOM - DAY - FLASHBACK Or INT . BEDROOM - DAY ( FLASHBACK ) If a FLASHBACK covers several scenes , then indicate it with FLASHBACK SE- QUENCE . Once the FLASHBACK SEQUENCE concludes , indicate PRESENT DAY at the end ...
... follows : INT . BEDROOM - DAY - FLASHBACK Or INT . BEDROOM - DAY ( FLASHBACK ) If a FLASHBACK covers several scenes , then indicate it with FLASHBACK SE- QUENCE . Once the FLASHBACK SEQUENCE concludes , indicate PRESENT DAY at the end ...
Seite 139
... follows : CHARLIE ( VO ) You're done for , old man . The voice trails off . The professor sees no one . If Charlie is in the scene and hears his own voice in his head , that's still VOICE OVER . Narration is VOICE OVER . In cases where ...
... follows : CHARLIE ( VO ) You're done for , old man . The voice trails off . The professor sees no one . If Charlie is in the scene and hears his own voice in his head , that's still VOICE OVER . Narration is VOICE OVER . In cases where ...
Inhalt
How stories work | 3 |
Situation conflict and resolutionthe flow of the story | 10 |
The low down on high concept | 18 |
Urheberrecht | |
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
action agent audience backstory Bandit beginning BEST FRIEND'S WEDDING Big Event Book break Calcutta camera Catalyst central character character's CHECKPOINT CLASSROOM Coast Guard Officer comedy concept conflict contests create creative Crisis David Trottier Deadline dialogue dramatic emotional Entry fee example film FLASHBACK flaw formatting Frankie genre give Glodina goal going Harrison Ford helicopter Here's Hollywood ideas INTERCUT Jake Jake's JERRY MAGUIRE Keep in mind logline look Marilyn master scene heading MATCH CUT meeting Michael Douglas MONTAGE motivation movie opposition paragraph person pitch plot producer professor query letter reader realizes screen screenplay screenwriter script consultant Seebee shot Showdown sitcom someone spec screenplay spec script story subtext swagger stick television tell THELMA & LOUISE thing visual Wardle William Froug WIZARD OF OZ words Writers Guild writing