The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptSilman-James Press, 1998 - 314 Seiten "The Screenwriter's Bible is six books in one. Book 1 -- A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 -- A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 -- A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 -- A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 -- A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 -- A resource guide that provides addresses and contacts for industry organizations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals." - product description. |
Im Buch
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Seite 63
... Create characters we like . They must be believable since they act as a conduit through which emotion can pass to us . We need to sympathize with them and feel what they feel . Create conflict As mentioned earlier , rising conflict creates ...
... Create characters we like . They must be believable since they act as a conduit through which emotion can pass to us . We need to sympathize with them and feel what they feel . Create conflict As mentioned earlier , rising conflict creates ...
Seite 65
... Create immediacy When something vital is at stake for the character , that something becomes vital to us , the audience , as well . It can be the physical safety of the world or the moral redemp- tion of a juvenile delinquent . It can ...
... Create immediacy When something vital is at stake for the character , that something becomes vital to us , the audience , as well . It can be the physical safety of the world or the moral redemp- tion of a juvenile delinquent . It can ...
Seite 95
... create your own Grid . At the bottom of the Grid page 96 , you have room to think through your main turn- ing points ... creates movement . When Rose tells Jack in TITANIC ( after Sunday service ) that she cannot see him again and is ...
... create your own Grid . At the bottom of the Grid page 96 , you have room to think through your main turn- ing points ... creates movement . When Rose tells Jack in TITANIC ( after Sunday service ) that she cannot see him again and is ...
Inhalt
How stories work | 3 |
Situation conflict and resolutionthe flow of the story | 10 |
The low down on high concept | 18 |
Urheberrecht | |
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
action agent audience backstory Bandit beginning BEST FRIEND'S WEDDING Big Event Book break Calcutta camera Catalyst central character character's CHECKPOINT CLASSROOM Coast Guard Officer comedy concept conflict contests create creative Crisis David Trottier Deadline dialogue dramatic emotional Entry fee example film FLASHBACK flaw formatting Frankie genre give Glodina goal going Harrison Ford helicopter Here's Hollywood ideas INTERCUT Jake Jake's JERRY MAGUIRE Keep in mind logline look Marilyn master scene heading MATCH CUT meeting Michael Douglas MONTAGE motivation movie opposition paragraph person pitch plot producer professor query letter reader realizes screen screenplay screenwriter script consultant Seebee shot Showdown sitcom someone spec screenplay spec script story subtext swagger stick television tell THELMA & LOUISE thing visual Wardle William Froug WIZARD OF OZ words Writers Guild writing