The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptSilman-James Press, 1998 - 314 Seiten "The Screenwriter's Bible is six books in one. Book 1 -- A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 -- A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 -- A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 -- A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 -- A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 -- A resource guide that provides addresses and contacts for industry organizations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals." - product description. |
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Seite 19
... concept that gets it pur- chased . " Jason Hoffs at Spielberg's company said , “ Probably eighty percent of the spec scripts this year were bought for concept and not execution . ” According to Robert Kosberg , " Screenwriters usually ...
... concept that gets it pur- chased . " Jason Hoffs at Spielberg's company said , “ Probably eighty percent of the spec scripts this year were bought for concept and not execution . ” According to Robert Kosberg , " Screenwriters usually ...
Seite 20
... concept of HOMEBOY , a spec script that Fox Family Films paid $ 500,000 for a few months ago . Two black brothers ... concept . Concept comes in many forms . For example , it can be presented as a premise ques- tion : What if Peter ...
... concept of HOMEBOY , a spec script that Fox Family Films paid $ 500,000 for a few months ago . Two black brothers ... concept . Concept comes in many forms . For example , it can be presented as a premise ques- tion : What if Peter ...
Seite 21
... concept does not necessarily mean high adventure . TOOTSIE is neither , but the concept is strong , and the character growth arc is implied . ( We assume he'll no longer be sexist at the end of the movie . ) A radio talk - show host is ...
... concept does not necessarily mean high adventure . TOOTSIE is neither , but the concept is strong , and the character growth arc is implied . ( We assume he'll no longer be sexist at the end of the movie . ) A radio talk - show host is ...
Inhalt
How stories work | 3 |
Situation conflict and resolutionthe flow of the story | 10 |
The low down on high concept | 18 |
Urheberrecht | |
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
action agent audience backstory Bandit beginning BEST FRIEND'S WEDDING Big Event Book break Calcutta camera Catalyst central character character's CHECKPOINT CLASSROOM Coast Guard Officer comedy concept conflict contests create creative Crisis David Trottier Deadline dialogue dramatic emotional Entry fee example film FLASHBACK flaw formatting Frankie genre give Glodina goal going Harrison Ford helicopter Here's Hollywood ideas INTERCUT Jake Jake's JERRY MAGUIRE Keep in mind logline look Marilyn master scene heading MATCH CUT meeting Michael Douglas MONTAGE motivation movie opposition paragraph person pitch plot producer professor query letter reader realizes screen screenplay screenwriter script consultant Seebee shot Showdown sitcom someone spec screenplay spec script story subtext swagger stick television tell THELMA & LOUISE thing visual Wardle William Froug WIZARD OF OZ words Writers Guild writing