The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptSilman-James Press, 1998 - 314 Seiten "The Screenwriter's Bible is six books in one. Book 1 -- A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 -- A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 -- A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 -- A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 -- A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 -- A resource guide that provides addresses and contacts for industry organizations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals." - product description. |
Im Buch
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Seite 50
... characters , you want one central character , at least one opposition char- acter , and a confidant ( or sidekick ) whom your central character can talk to . This is one way to reveal your central character's thoughts , feelings , and ...
... characters , you want one central character , at least one opposition char- acter , and a confidant ( or sidekick ) whom your central character can talk to . This is one way to reveal your central character's thoughts , feelings , and ...
Seite 95
... character is static or uninvolved in the action , or if a character's actions are repetitive rather than building . In other words , you can more readily see if you have a rising conflict or a stagnant story . The Grid helps with pacing ...
... character is static or uninvolved in the action , or if a character's actions are repetitive rather than building . In other words , you can more readily see if you have a rising conflict or a stagnant story . The Grid helps with pacing ...
Seite 127
... characters deserve names as do your important minor characters . Characters with only one or two lines of dialogue ... character's name that appears in CAPS above the dialogue - that name should be the same throughout the script , with ...
... characters deserve names as do your important minor characters . Characters with only one or two lines of dialogue ... character's name that appears in CAPS above the dialogue - that name should be the same throughout the script , with ...
Inhalt
How stories work | 3 |
Situation conflict and resolutionthe flow of the story | 10 |
The low down on high concept | 18 |
Urheberrecht | |
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
action agent audience backstory Bandit beginning BEST FRIEND'S WEDDING Big Event Book break Calcutta camera Catalyst central character character's CHECKPOINT CLASSROOM Coast Guard Officer comedy concept conflict contests create creative Crisis David Trottier Deadline dialogue dramatic emotional Entry fee example film FLASHBACK flaw formatting Frankie genre give Glodina goal going Harrison Ford helicopter Here's Hollywood ideas INTERCUT Jake Jake's JERRY MAGUIRE Keep in mind logline look Marilyn master scene heading MATCH CUT meeting Michael Douglas MONTAGE motivation movie opposition paragraph person pitch plot producer professor query letter reader realizes screen screenplay screenwriter script consultant Seebee shot Showdown sitcom someone spec screenplay spec script story subtext swagger stick television tell THELMA & LOUISE thing visual Wardle William Froug WIZARD OF OZ words Writers Guild writing