The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script"The Screenwriter's Bible is six books in one. Book 1 -- A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 -- A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 -- A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 -- A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 -- A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 -- A resource guide that provides addresses and contacts for industry organizations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals." - product description. |
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Seite 127
Suppose you have six police officers speaking in a scene . You may choose to refer to them as OFFICER 1 , OFFICER 2 , OFFICER 3 , and so on ; but I don't recommend it . First , limit the number of speaking officers to one or two .
Suppose you have six police officers speaking in a scene . You may choose to refer to them as OFFICER 1 , OFFICER 2 , OFFICER 3 , and so on ; but I don't recommend it . First , limit the number of speaking officers to one or two .
Seite 190
The first is with the Coast Guard Officer ; the second is with Jake Dekker . It gives the reader someone to compare Jake to since ... The Coast Guard Officer's goal is to give her the information she wants so he can get out of there .
The first is with the Coast Guard Officer ; the second is with Jake Dekker . It gives the reader someone to compare Jake to since ... The Coast Guard Officer's goal is to give her the information she wants so he can get out of there .
Seite 192
In terms of character dynamics , she's telling the officer what to think and warning him at the same time . She then orders him out . In a moment of near - comic relief , the Coast Guard Officer runs away from her .
In terms of character dynamics , she's telling the officer what to think and warning him at the same time . She then orders him out . In a moment of near - comic relief , the Coast Guard Officer runs away from her .
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LibraryThing Review
Nutzerbericht - jakohnen - LibraryThingI've learned so much from this book! It's definitely not just for screenwriters. It holds valuable information about breaking down your story in a timely manner, from beginning to end, using movie examples. It focuses on how to create a good, successful story. Another of my favorites! Vollständige Rezension lesen
Inhalt
How stories work | 3 |
Situation conflict and resolutionthe flow of the story | 10 |
The low down on high concept | 18 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
action agent appear audience Avoid becomes beginning believe Book break camera central character character's comedy comes companies complete concept create creative Crisis deal dialogue direction don't emotional Event example fact feel final follows format genre give goal going happen head Hollywood ideas important interest It's Jake Keep later letter look Mark means meeting mind motivation moves movie Note OFFICER Once opposition paragraph person pitch plot present problem producer professor query question reader realizes reference revision sample scene screen screenplay screenwriter script Seebee sell shot someone space spec script step story sure television tell thing turns usually Wardle writing written