Im Buch
Ergebnisse 1-3 von 17
Seite 12
What is questioned in such a practice is not only the homogeneity between voice and image , but also the compartmentalization of sensual and / or intellectual faculties . Voice is breath . A wo / man's breath manifested outwardly ...
What is questioned in such a practice is not only the homogeneity between voice and image , but also the compartmentalization of sensual and / or intellectual faculties . Voice is breath . A wo / man's breath manifested outwardly ...
Seite 120
In the story , Emma is menaced by the disembodied voice of an unseen male villain who can seemingly observe and control her every movement . Emma realizes that she is " being watched , " and that each of her actions is under the control ...
In the story , Emma is menaced by the disembodied voice of an unseen male villain who can seemingly observe and control her every movement . Emma realizes that she is " being watched , " and that each of her actions is under the control ...
Seite 140
expression of the prostitute , which surfaces through layers of voices , does not forget its source . Yet her expression has no voice of its own : its voice is constructed by the voices of others . Given the contemporary theoretical ...
expression of the prostitute , which surfaces through layers of voices , does not forget its source . Yet her expression has no voice of its own : its voice is constructed by the voices of others . Given the contemporary theoretical ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male masculine materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York