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Seite 31
20 ° These responses are outward and visible signs of an inner process provoked by a heightened sense of conscience and responsibility . The signs and symbols , actions and consequences of the Nazi past serve to shame us proleptically ...
20 ° These responses are outward and visible signs of an inner process provoked by a heightened sense of conscience and responsibility . The signs and symbols , actions and consequences of the Nazi past serve to shame us proleptically ...
Seite 93
Everyone knows that the power of computation rests on the capacity of these machines to shuffle and move sets of symbols , symbols that must function at some level as signs if they ever lead to inhibitor stimulate effects of meaning ...
Everyone knows that the power of computation rests on the capacity of these machines to shuffle and move sets of symbols , symbols that must function at some level as signs if they ever lead to inhibitor stimulate effects of meaning ...
Seite 104
... network exchanges promise self - identity in the domain of a written speech . a The images , fantasies , affects , signs , and actions distributed across the interface between user and machine do not emanate from a singular point of ...
... network exchanges promise self - identity in the domain of a written speech . a The images , fantasies , affects , signs , and actions distributed across the interface between user and machine do not emanate from a singular point of ...
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Inhalt
The Power of the Image | 20 |
Reinhilde Wiegmann | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male masculine materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York