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Seite 30
Our second answer involves a more theoretical examination of the role of art , the artist , shame , shamelessness , judgment , and the guilty individual in relation to a specific conception of self and the social formation .
Our second answer involves a more theoretical examination of the role of art , the artist , shame , shamelessness , judgment , and the guilty individual in relation to a specific conception of self and the social formation .
Seite 31
This is how shame was , quite perversely , made to serve the Nazi's purposes . For many viewers , both narratives and documentaries of the Holocaust , like Night and Fog ( Alain Resnais , 1955 ) , The Pawnbroker ( Sidney Lumet , 1965 ) ...
This is how shame was , quite perversely , made to serve the Nazi's purposes . For many viewers , both narratives and documentaries of the Holocaust , like Night and Fog ( Alain Resnais , 1955 ) , The Pawnbroker ( Sidney Lumet , 1965 ) ...
Seite 42
17 Our understanding of shame has been greatly aided by Werner L. Gundersheimer , “ Renaissance Concepts of Shame and Pocaterra's Dialoghi Della Vergogna , " Renaissance Quarterly 48 ( Spring 1994 ) : 34-56 .
17 Our understanding of shame has been greatly aided by Werner L. Gundersheimer , “ Renaissance Concepts of Shame and Pocaterra's Dialoghi Della Vergogna , " Renaissance Quarterly 48 ( Spring 1994 ) : 34-56 .
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Inhalt
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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