Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 18,Ausgabe 31996 |
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Seite 34
... play in the discussion of the Nazi past . Riefenstahl's own tendency fa- vors the invocation of an inexplicable elan in which her youthful fascination with dance ( or her character , Junta's , in The Blue Light ( 1932 ) with the ...
... play in the discussion of the Nazi past . Riefenstahl's own tendency fa- vors the invocation of an inexplicable elan in which her youthful fascination with dance ( or her character , Junta's , in The Blue Light ( 1932 ) with the ...
Seite 61
... play , but rather giocolare , the hocus - pocus and legerdemain , with which money is able to feign to us its exclusively virtual value , without ever being able to become an equivalent of deferred pleasure . What is striking about this ...
... play , but rather giocolare , the hocus - pocus and legerdemain , with which money is able to feign to us its exclusively virtual value , without ever being able to become an equivalent of deferred pleasure . What is striking about this ...
Seite 69
... play is actually called Herr Iger ( igra , croat . , game / play ) , whose original phonetically vertical - rising I- vowel becomes , with the signing of the renunciation - contract , the inescapable , closed circle of the O , the orcus ...
... play is actually called Herr Iger ( igra , croat . , game / play ) , whose original phonetically vertical - rising I- vowel becomes , with the signing of the renunciation - contract , the inescapable , closed circle of the O , the orcus ...
Inhalt
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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