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What is achieved is not exactly the “ ineffable , ” but a musical accuracy — an “ echoeless breach of meaning , ” as Roland Barthes ( Empire 69 , 76 ) put it , for the music referred to here is both a music of meanings and a music of ...
What is achieved is not exactly the “ ineffable , ” but a musical accuracy — an “ echoeless breach of meaning , ” as Roland Barthes ( Empire 69 , 76 ) put it , for the music referred to here is both a music of meanings and a music of ...
Seite 24
The Terms of Debate Arnold Hauser and Terry Eagleton have argued that art and literature , respectively , are socially constructed terms with no ab solute or immanent meaning . The absolutist view of art has been contested widely over ...
The Terms of Debate Arnold Hauser and Terry Eagleton have argued that art and literature , respectively , are socially constructed terms with no ab solute or immanent meaning . The absolutist view of art has been contested widely over ...
Seite 101
It suggests that even the mute materiality of a senescent male body doubles and mimes the signs and codes of the technosocial formation , that bodies speak or signify instead of being the mute bearers of meaning , the passively material ...
It suggests that even the mute materiality of a senescent male body doubles and mimes the signs and codes of the technosocial formation , that bodies speak or signify instead of being the mute bearers of meaning , the passively material ...
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Inhalt
The Power of the Image | 20 |
Reinhilde Wiegmann | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male masculine materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 18,Ausgabe 3 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1996 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |