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Seite 130
However , Henrietta never attends meetings and is always represented by a life - size doll . Reversing gender roles , the female doll makes the decisions and treats Henry like a menial . The story articulates a paranoia about feminine ...
However , Henrietta never attends meetings and is always represented by a life - size doll . Reversing gender roles , the female doll makes the decisions and treats Henry like a menial . The story articulates a paranoia about feminine ...
Seite 131
3 Because of the series ' emphasis on consumption and luxury , Emma is portrayed as an object of feminine glamour and an erotic object of male voyeuristic pleasure . Indeed , Emma was even named for her M ( man ) appeal , her attraction ...
3 Because of the series ' emphasis on consumption and luxury , Emma is portrayed as an object of feminine glamour and an erotic object of male voyeuristic pleasure . Indeed , Emma was even named for her M ( man ) appeal , her attraction ...
Seite 133
Instead of “ masculine ” martial arts , Tara relied more on “ feminine guile ” and conventional feminine tactics : “ Tara didn't go in for Karate but fought more like a girl , ” Thorson recalled , “ scratching , kicking and lashing out ...
Instead of “ masculine ” martial arts , Tara relied more on “ feminine guile ” and conventional feminine tactics : “ Tara didn't go in for Karate but fought more like a girl , ” Thorson recalled , “ scratching , kicking and lashing out ...
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Inhalt
The Power of the Image | 20 |
Reinhilde Wiegmann | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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