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Cunningham composes movement with no attempts to direct expressivity , and with no specific meaning or emo- tional referent intended . Shattering any sense of plot and sustaining no literal interpretation , his approach to movement ...
Cunningham composes movement with no attempts to direct expressivity , and with no specific meaning or emo- tional referent intended . Shattering any sense of plot and sustaining no literal interpretation , his approach to movement ...
Seite 40
... Siegfried Kracauer and Susan Sontag — that her entire career displays a direct connection to Nazi aesthetics and ideology , including her feature films with their romantic anticapitalism and semiotically charged use of landscape .
... Siegfried Kracauer and Susan Sontag — that her entire career displays a direct connection to Nazi aesthetics and ideology , including her feature films with their romantic anticapitalism and semiotically charged use of landscape .
Seite 52
... within the attempts of Elias to mold her image , direct the reader , and assert his support for her writing and publishing . As Elias reports , Venetiana / Veza did not try to gain her space and voice at his expense .
... within the attempts of Elias to mold her image , direct the reader , and assert his support for her writing and publishing . As Elias reports , Venetiana / Veza did not try to gain her space and voice at his expense .
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Inhalt
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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