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Seite 95
The weakness and age of his own body compares poorly with the efficacy of its prosthetic supplements . It seems like a collapsing , seeping mass of disorganized flows , already subordinate to the dead yet highly energized and active ...
The weakness and age of his own body compares poorly with the efficacy of its prosthetic supplements . It seems like a collapsing , seeping mass of disorganized flows , already subordinate to the dead yet highly energized and active ...
Seite 101
His body did .... His body knew it all . If he stopped to consciously think it through , he couldn't have done it . Finsterlicht's body english began to do the same thing computer hackers did . ( 123-4 ) While the explanation of how ...
His body did .... His body knew it all . If he stopped to consciously think it through , he couldn't have done it . Finsterlicht's body english began to do the same thing computer hackers did . ( 123-4 ) While the explanation of how ...
Seite 143
Grosz , but the point finally is that in her various readings she retrieves the body as an unarticulated but pivotal term of the discourse , whether genealogical , psychoanalytic , phenomenological , or rhizomatic .
Grosz , but the point finally is that in her various readings she retrieves the body as an unarticulated but pivotal term of the discourse , whether genealogical , psychoanalytic , phenomenological , or rhizomatic .
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Inhalt
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male masculine materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York