Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 18,Ausgabe 31996 |
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Seite 26
... artist as he who remains true to himself and the timeless ideals of beauty becomes the means of representing Riefenstahl as ( male ) artist , outside history.14 This view of the artist gendered as male hero serves to absolve Riefenstahl ...
... artist as he who remains true to himself and the timeless ideals of beauty becomes the means of representing Riefenstahl as ( male ) artist , outside history.14 This view of the artist gendered as male hero serves to absolve Riefenstahl ...
Seite 28
... artist and woman " ( 49 ) exist . Thus , a masculin- ist paradigm elevates Riefenstahl to the ranks of artistic genius while a sexist stereotype of the depoliticized " woman artist " eliminates her own historical agency ; meanwhile ...
... artist and woman " ( 49 ) exist . Thus , a masculin- ist paradigm elevates Riefenstahl to the ranks of artistic genius while a sexist stereotype of the depoliticized " woman artist " eliminates her own historical agency ; meanwhile ...
Seite 38
... artist as ( masculinist , controlling ) paragon and woman artist as shameless or victimized collaborator . This polarity centers on control and loss of control , will and the loss of will , artistic pride and propagandistic shamefulness ...
... artist as ( masculinist , controlling ) paragon and woman artist as shameless or victimized collaborator . This polarity centers on control and loss of control , will and the loss of will , artistic pride and propagandistic shamefulness ...
Inhalt
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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