A Treatise on VersificationF. & J. Rivington, 1852 - 169 Seiten |
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Seite 28
... never used in our English metres , although their effect may be good to a short extent . Such metres might be the fol- lowing : - Lóvely child , sweet the smíle ón thy chéek . A good úse is bád úse , if mén fáil to note tímes . Fáir ...
... never used in our English metres , although their effect may be good to a short extent . Such metres might be the fol- lowing : - Lóvely child , sweet the smíle ón thy chéek . A good úse is bád úse , if mén fáil to note tímes . Fáir ...
Seite 31
... never be mutual substitutes . Still more , the amphibrach cannot stand for either dactyl ( LUVIU IU ) or anapæst ( UL , U L ~ ) , be- cause it is impossible to divide it in the proportion of either interval or return . But the tribrach ...
... never be mutual substitutes . Still more , the amphibrach cannot stand for either dactyl ( LUVIU IU ) or anapæst ( UL , U L ~ ) , be- cause it is impossible to divide it in the proportion of either interval or return . But the tribrach ...
Seite 48
... never both of them omitted , except in two or three examples , where expres- sion has been sought at their expense , as in the trimeter lines last quoted . And Spenser sometimes employs them , as in " Fairy Queen " : — Upon his foe , a ...
... never both of them omitted , except in two or three examples , where expres- sion has been sought at their expense , as in the trimeter lines last quoted . And Spenser sometimes employs them , as in " Fairy Queen " : — Upon his foe , a ...
Seite 67
Robert Wilson Evans. dactyl also within a word . It is obvious that it never could be allowed to be broken into a trochee followed by a short syllable , as ταῦτα | μελετᾶτε , since such a pause is inadmissible at the beginning of an ...
Robert Wilson Evans. dactyl also within a word . It is obvious that it never could be allowed to be broken into a trochee followed by a short syllable , as ταῦτα | μελετᾶτε , since such a pause is inadmissible at the beginning of an ...
Seite 79
... never was a measure so ill suited . It must , however , be allowed to have one great advantage in French verse which it has not in ours , and that is , the alternate mixture of masculine and feminine rhymes . This to a more certain ...
... never was a measure so ill suited . It must , however , be allowed to have one great advantage in French verse which it has not in ours , and that is , the alternate mixture of masculine and feminine rhymes . This to a more certain ...
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ab'b ab'b ább áb accent according admits Alexandrine alliteration allowed amphibrach anapæst ancient measures arising basis bisecting pause cæsura close common commonly consonant construction couplet cretic dactyl dissyllable divided Dryden effect employed English epic poetry example expression fall favourite feet fifth foot former fourth French Georgics gives Greek Greek and Latin harmony Hence heroic hexameter Homer iambic iambus Iliad Italian lable lætas language Latin latter length licence long syllable lyric poetry marked ment metre middle Milton modern tongues monosyllabic monosyllables monotony narrative nature number of pauses number of syllables occur Pindar poem poets pronounced pronunciation proportion prose quæ quantity quatrain recitation recurrence repetition rhyme rule seems segetes sense short syllable song Sophocles sound Spenser spondee stanza stop stress substitution tained tercet termination tetrameters third foot tragic tribrach trimeter trochaic pause trochee unrhymed variety verse versification Virgil vowel word
Beliebte Passagen
Seite 50 - Before all temples the upright heart and pure, Instruct me, for Thou know'st; Thou from the first Wast present, and, with mighty wings outspread, Dove-like sat'st brooding on the vast abyss, And mad'st it pregnant: what in me is dark Illumine, what is low raise and support; That to the height of this great argument I may assert eternal Providence, And justify the ways of God to men.
Seite 168 - SACRED ALLEGORIES. The Shadow of the Cross —The Distant Hills— The Old Man's Home — The King's Messengers. By the Rev. WILLIAM ADAMS, MA, late Fellow of Merton College, Oxford.
Seite 88 - That, changed through all, and yet in all the same; Great in the earth, as in the ethereal frame; Warms in the sun, refreshes in the breeze, Glows in the stars, and blossoms in the trees; Lives through all life, extends through all extent; Spreads undivided, operates unspent!
Seite 94 - GREAT God, what do I see and hear ! The end of things created ! The Judge of mankind doth appear On clouds of glory seated ! The trumpet sounds ! the graves restore The dead which they contained before! Prepare, my soul, to meet him.
Seite 105 - The intricate wards, and every bolt and bar Of massy iron or solid rock with ease Unfastens : on a sudden open fly With impetuous recoil and jarring sound The infernal doors, and on their hinges grate Harsh thunder, that the lowest bottom shook Of Erebus.
Seite 152 - O heavenly muse, that not with fading bays Deckest thy brow by th' Heliconian spring, But sittest, crown'd with stars' immortal rays, In heaven, where legions of bright angels sing, Inspire life in my wit, my thoughts upraise, >.~ My verse ennoble, and forgive the thing, If fictions light I mix with truth divine, • And fill these lines with others
Seite 105 - Lycidas? For neither were ye playing on the steep Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream. Ay me! I fondly dream — Had ye been there...
Seite 149 - The sire and sons, and soon, it seem'd, were rent With sharpest fangs, their sides. Before the trace Of dawn, I woke, and heard my sons lament, (For they were with me), mourning in their sleep, And craving bread. Right cruel is thy bent, If, hearing this, no horror o'er thee creep ; If, guessing what I now began to dread, Thou weep'st not, wherefore art thou wont to weep ? Now were they all awake. The hour, when bread Was wont to be bestow'd, had now drawn near, And dismal doubts, in each, his dream...
Seite 80 - YE boundless realms of joy, Exalt your Maker's fame ; His praise your song employ Above the starry frame: Your voices raise, Ye Cherubim And Seraphim, To sing his praise.
Seite 104 - Chiama gli abitator dell' ombre eterne II rauco suon della tartarea tromba : Treman le spaziose atre caverne , E l...