Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
Im Buch
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Seite 12
... traditional forms of enclosure . One of the primary references of Elizabeth Diller and Ricardo Scofidio's Slow House ( 1989 ) is a photograph by Len Jenshel in which a security guard in the desert watches television . The television set ...
... traditional forms of enclosure . One of the primary references of Elizabeth Diller and Ricardo Scofidio's Slow House ( 1989 ) is a photograph by Len Jenshel in which a security guard in the desert watches television . The television set ...
Seite 13
... traditional markers of domesticity occupying the zone of transition . The front door confronts a knife edge which splits the passage ; one half remains level and deviates to the left ( to the sleeping and bathing areas ) , the other ...
... traditional markers of domesticity occupying the zone of transition . The front door confronts a knife edge which splits the passage ; one half remains level and deviates to the left ( to the sleeping and bathing areas ) , the other ...
Seite 60
... traditional Native clothing . Carlos Castenada's books on the teachings of Don Juan , the Yaqui medicine man , circulated a popularized version of “ Indian spirituality ” inspiring many " wanna - bes " to set off on pilgrimages to the ...
... traditional Native clothing . Carlos Castenada's books on the teachings of Don Juan , the Yaqui medicine man , circulated a popularized version of “ Indian spirituality ” inspiring many " wanna - bes " to set off on pilgrimages to the ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York