Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
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Seite 30
... sense of selfhood that had grown fragmented , diffuse , and somehow ' unreal ' " ( " Salvation " 4 ; see also No Place ) . While Lears locates . the origins of such fragmentation in the late nineteenth and early twentieth centuries ( as ...
... sense of selfhood that had grown fragmented , diffuse , and somehow ' unreal ' " ( " Salvation " 4 ; see also No Place ) . While Lears locates . the origins of such fragmentation in the late nineteenth and early twentieth centuries ( as ...
Seite 31
... sense of our relationship to our world and ourselves . . . . While history seemed to demand a different structure of affective investment , there seemed to be no way of making sense of the emerging struggle . . . . Within this gap , it ...
... sense of our relationship to our world and ourselves . . . . While history seemed to demand a different structure of affective investment , there seemed to be no way of making sense of the emerging struggle . . . . Within this gap , it ...
Seite 91
... sense of balance ( even if in the case of melodrama it is necessarily and frequently an illusion of balance ) . So , if the appropriate phrase for these other popular narrative forms is " play on the senses , " in Sensationalism the ...
... sense of balance ( even if in the case of melodrama it is necessarily and frequently an illusion of balance ) . So , if the appropriate phrase for these other popular narrative forms is " play on the senses , " in Sensationalism the ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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Häufige Begriffe und Wortgruppen
addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York