Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
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Seite 136
... scene of the analysis , and no longer on the so - called scene of “ life . ” Now , the analytical scene presupposes , by its very construction , that every sentence that comes to it , lexis and phonè all mixed together , is addressed to ...
... scene of the analysis , and no longer on the so - called scene of “ life . ” Now , the analytical scene presupposes , by its very construction , that every sentence that comes to it , lexis and phonè all mixed together , is addressed to ...
Seite 140
... scene is obviously analogical to the tragical scene . Merely analog- ical , but analogical nonetheless . I would say even more precisely : analogical to the Aeschylean stage . Like the analytical scene , it is a scene with two voices ...
... scene is obviously analogical to the tragical scene . Merely analog- ical , but analogical nonetheless . I would say even more precisely : analogical to the Aeschylean stage . Like the analytical scene , it is a scene with two voices ...
Seite 142
... scene , and as soon as there is a scene , there is something behind the scene . I counted three of these , at the beginning of this essay , just for this single case history . But I said that there are more of them , many more . Whether ...
... scene , and as soon as there is a scene , there is something behind the scene . I counted three of these , at the beginning of this essay , just for this single case history . But I said that there are more of them , many more . Whether ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York