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Seite 91
In those other operations there is an object constructed that ends in a catharsis or a repression of tension — tears or fear . ... in Sensationalism the appropriate phrase would be " operation of the senses " whereby the disavowal of a ...
In those other operations there is an object constructed that ends in a catharsis or a repression of tension — tears or fear . ... in Sensationalism the appropriate phrase would be " operation of the senses " whereby the disavowal of a ...
Seite 94
( 40-42 ) Here one's object is not separate from the vulgar operation of one's senses , nor can one's object secure the anxiety of that operation . In this passage , the description of the woman is ...
( 40-42 ) Here one's object is not separate from the vulgar operation of one's senses , nor can one's object secure the anxiety of that operation . In this passage , the description of the woman is ...
Seite 102
childbearing in the Sensation novel is key to its process of arraying the term " individual ” along a surface operation . Chil- dren are not the consolidation of the paternal position , they are articulated immediately ( in an ...
childbearing in the Sensation novel is key to its process of arraying the term " individual ” along a surface operation . Chil- dren are not the consolidation of the paternal position , they are articulated immediately ( in an ...
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Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York